Bell said.
âI know. You have to go past the sacred texts, then take a left.â
âSacred texts â we might run into Mom. Sheâs got a thing about prayer books.â
When they arrived a few minutes later, Jo Bell exclaimed, âGood grief! There are a lot of pop-up books.â
âWouldnât Julep be in one that is already opened on the reading tables? I mean, whatâs the sense of messing about in a folded-up pop-up book?â Buster said.
âTrue.â They made their way to the reading tables at the end of the fourth row of stacks.
âMy goodness, itâs like a miniature world here, isnât it?â Jo Bell wondered aloud as she looked at the books spread out on a large table. The first thing she noticed were the red and white stripes of the three-ring circus tent. In the center ring were paper animals, elephants whose trunks could wag and tigers who prowled. The second ring had half a dozen clowns, one riding a pony. Another could be made to jump through a hoop. The third ring was Julepâs favorite, for this ring belonged to the aerial artists. Tiny little paper people swung on trapezes no thicker than splinters and pranced on tightropes made of thread. It was here that they spied Julep swinging out among the frozen paper figures.
âWhat are you doing here?â Jo Bell called. âI thought you were in Egypt â the pyramids.â
âI was. I just came over for a break. But why are you here?â Julep asked.
âItâs a long story,â Jo Bell replied.
âA sad story,â Buster added.
âIs Mom okay?â Julep blurted out. âDid she get squished or ââ Julep began to tremble.
âMomâs fine! Itâs nothing like that.â Jo Bell felt terrible. Suddenly, Julep seemed so tiny and defenseless. âOh, Julep, I didnât mean to worry you!â
âWell, whatâs so sad?â Julep asked with visible relief.
âSomeone is cutting pages out of books, stealing maps. There are crooks in the library.â
âWhat?â Julep gasped.
And so Jo Bell and Buster told the story of Agnes Smoot and Eldridge Montague.
âIt seems,â Julep said slowly when they had finished, âthat the problem is getting Tomâs attention. Finding a way to tell him since he doesnât speak spider.â
âExactly,â Jo Bell replied. âBut he does speak hieroglyphics.â
âNo one speaks hieroglyphics,â Julep corrected. âItâs a language for writing only. Writing in pictures.â
âDo you know how to write it?â Buster asked.
âUh, well, just my name and a few other letters, thatâs all,â Julep replied.
âCan you show us?â Buster asked.
âSure!â Julep suddenly seemed to grow to twice her size. No one ever asked her opinion about anything. Most of the time, her older brother and sister reminded her how babyish she was. This was definitely a non-pre-K moment, and Julep intended to make the most of it.
She immediately cast another dragline to the tightrope and began her ascent. Then, in the dim shadows of the big tent, Julep began her own aerial ballet. She embroidered the air with silken shapes of birds and snakes, reeds and crouching lions.
âThatâs your name?â Jo Bellâs voice quivered with amazement.
âYep, but Iâm not done.â
Julep continued her inscriptions, and five minutes later, another word appeared.
âTwo words!â Buster exclaimed.
âWhat does it say?â Jo Bell asked.
Her little sister looked down at her and burst out with a vibration that shivered the silk threads under the big top and set the paper figures aflutter.
âJULEP RULES!â
J o Bell glanced at the remaining silverfish twirling slightly in the still air of the display case. Edith had just finished an addition to their regular web that extended from the southeast corner of the case to