skin and the incredible length of neck. Then the smile-eyes, the turn of the head—all so welcoming, light and playful. Her voice trailed, dipped and bowed; she gave a chord to the simplest words. Nobody, but nobody, could say “hey sugar” like Hannah. When he heard it, the man tipped his hat down a little over his eyes, hoisted his trousers and thought about the hollow place at the base of her neck. And all this without the slightest confusion about work and responsibilities. While Eva tested and argued with her men, leaving them feeling as though they had been in combat with a worthy, if amiable, foe, Hannah rubbed no edges, made no demands, made the man feel as though he were complete and wonderful just as he was—he didn’t need fixing—and so he relaxed and swooned in the Hannah-light that shone on him simply because he was. If the man entered and Hannah was carrying a coal scuttle up from the basement, she handled it in such a way that it became a gesture of love. He made no move to help her with it simply because he wanted to see how her thighs looked when she bent to put it down, knowing that she wanted him to see them too.
But since in that crowded house there were no places for private and spontaneous lovemaking, Hannah would take the man down into the cellar in the summer where it was cool back behind the coal bin and the newspapers, or in the winter they would step into the pantry and stand up against the shelves she had filled with canned goods, or lie on the flour sack just under the rows of tiny green peppers. When those places were not available, she would slip into the seldom-used parlor, or even up to her bedroom. She liked the last place least, not because Sula slept in the room with her but because her love mate’s tendency was always to fall asleep afterward and Hannah was fastidious about whom she slept with. She would fuck practically anything, but sleeping with someone implied for her a measure of trust and a definite commitment. So she ended up a daylight lover, and it was only once actually that Sula came home from school and found her mother in the bed, curled spoon in the arms of a man.
Seeing her step so easily into the pantry and emerge looking precisely as she did when she entered, only happier, taught Sula that sex was pleasant and frequent, but otherwise unremarkable. Outside the house, where children giggled about underwear, the message was different. So she watched her mother’s face and the face of the men when they opened the pantry door and made up her own mind.
Hannah exasperated the women in the town—the “good” women, who said, “One thing I can’t stand is a nasty woman” the whores, who were hard put to find trade among black men anyway and who resented Hannah’s generosity; the middling women, who had both husbands and affairs, because Hannah seemed too unlike them, having no passion attached to her relationships and being wholly incapable of jealousy. Hannah’s friendships with women were, of course, seldom and short-lived, and the newly married couples whom her mother took in soon learned what a hazard she was. She could break up a marriage before it had even become one—she would make love to the new groom and wash his wife’s dishes all in an afternoon. What she wanted, after Rekus died, and what she succeeded in having more often than not, was some touching every day.
The men, surprisingly, never gossiped about her. She was unquestionably a kind and generous woman and that, coupled with her extraordinary beauty and funky elegance of manner, made them defend her and protect her from any vitriol that newcomers or their wives might spill.
Eva’s last child, Plum, to whom she hoped to bequeath everything, floated in a constant swaddle of love and affection, until 1917 when he went to war. He returned to the States in 1919 but did not get back to Medallion until 1920. He wrote letters from New York, Washington, D.C., and Chicago full of promises of
Richard Wilkinson, Kate Pickett