serious attempts at laughter and spontaneity and light feminine “clowning around.” Sister Sally, hurt kindness radiating from her face, her arms draped over an equally heavy girl in a Catholic-school uniform who has snuck her hand behind Sally to make a pair of childhood horns, and there, at the end of a chorus line of ten desperately grinning recent college grads, was my Eunice, her eyes coolly surveying an asphalted patch of California backyard and a flimsy dog-proof gate, her cheeks rising with difficulty to produce the requisite glossy three-quarters of a smile.
I closed my eyes and let the image slide into my mind’s burgeoning Eunice archive. But then I looked again. It wasn’t Eunice’s brilliantly fake smile that had struck me. There was something else. She had turned away from the äppärät lens, while one hand was forever stuck in midair trying to quickly apply a pair of sunglasses. I magnified the image by 800 percent and focused on the eye farthest from the camera. Beneath it and to one side, I saw what looked like the leathery black trace of burst capillaries. I zoomed in and out, trying to decipher the blemish on a face that would tolerate no blemishes, and eventually distinguished the imprint of two fingers, no, three fingers—index, middle, thumb—striking her across the face.
Okay, stop. Enough detective work. Enough obsessiveness. Enough trying to position yourself as the savior of a beaten girl. Let’s see if I can write three pages without mentioning Eunice Park even once. Let’s see if I can write about something other than my heart.
Because, when the plane’s wheels finally licked the tarmac in New York, I almost failed to notice the tanks and armored personnel carriers squatting amidst the islands of sunburned grass between the runways. I nearly failed to heed the soldiers in their muddy boots running alongside our airplane as we shuddered to a premature stop, the pilot’s anxious voice over the PA system drowned out by a jagged electronic hiss.
Our plane had been surrounded by what passed for the United States Army. Soon we heard the knocking against the plane’s door, the stewardesses scrambling to open it to the urgent military cries outside. “What the fuck?” I asked the young jock next to me, the one who had complained about the smell of my book, but he only pressed one finger to his lips and looked away from me, as if I too radiated the stench of a short-story collection.
They were inside the first-class cabin. About nine guys wearing grimy camouflage fatigues, in their thirties mostly (too old to serve in Venezuela, I’d guess), sweat stains underneath their arms, water bottles haphazardly stapled to their bulletproof vests, M-16s cradled against their torsos, no smiles, no words. They scanned us with their large brown ghetto äppäräti for three interminable minutes, during which the American contingent remained petulantly silent while the Italians aboard began to speak in angry, assertive tones. And then it began.
They grabbed him by both arms and tried to drag him to his feet, his vast bulk passively protesting. The American passengers instantly turned away, but the Italians were already hollering: “ Que barbarico! ” and “ A cosa serve? ”
The fat ugly man’s fear washed over the cabin in putrefying waves. We felt it before we even heard the sound of his voice, which, like the rest of him, did not conform to the standards of our time: was weak, helpless, despicable. “What did I do?” he was stammering. “Look at my wallet. I’m Bipartisan. Look in my wallet. I have a first-class ticket. I told the beaver everything he wanted.”
I snuck a glance at the fat man’s tormentors, standing evenly around him, fingers on their triggers. Their uniforms were adorned with hasty insignia, a sword superimposed over Lady Liberty’s crown, which I believe denotes the New York Army National Guard. And yet I sensed these exurban white guys were from nowhere near New
John Steinbeck, Richard Astro