time. She had died in 1942; my mother had known her too, and despite her reluctance to criticise anyone, I knew she had found her bossy and hard to get close to. My father had been very fond of her. After Tom left, and Ernest and George moved away, she had brought him up with the help of her own father; but my father had also found her bossy, a trait he put down to her having had to look after a family from the age of fourteen. He had once told me she was âbeautiful but toughâ. Judging by the photo of her that he kept on his desk, I wouldnât have called her beautiful; Sabrina, Diana Dors and Marilyn Monroe, the blondes on my bubble-gum cards, were beautiful. âBossy, elegant and tough. Dad thinks she was beautiful.â
âTough?â No women we knew were tough. A few were beautiful, some were elegant, plenty were bossy.
âThatâs what Dad said. She took charge of her brothers and the house and the servants after her mum died, when she was fourteen. Sâpose thatâs tough.â
âAnd what was Old Tom like?â
âDonât know, except he drank too much. My father said he was tall and handsomeâ¦and he had a long moustache.â
âHave you seen any photographs of him?â
âNo. Donât think there are any.â
I sat down on the floor and leaned against the wall â and remembered something Iâd forgotten. âDad took me to a film ages ago. He wanted to see it because whoever wrote it was someone he liked. It was an old film. It was called âViva Sonataâ or something, and it was all about Mexicans â you know, with big hats and moustaches. Anyway, halfway through, Dad whispered to me that this man, the main man, looked like his father, so on the way out I looked to see what his name was. He was called Marlon something.â
âMarlon!â She wrinkled her nose. âFunny name. What did he look like?â
âOrdinary. Couldnât see him very well; he had a huge moustache and a hat. He had long, narrow eyes and looked cross all the time, never smiled, not properly.â
âBut I bet Old Tom smiled sometimes.â She was lying on her front and staring at the family tree again. I stood up and kicked a tennis ball gently against the skirting board, back and forth.
Suddenly, she said, âExcept for the servants, there were two non-blood relatives living in that house, Old Tom and La Frascetti.â I went on kicking, but thought about it. âWith six blood relatives, including your dad and his sister.â
It seemed strange; it would have been like my father living with my motherâs family. My father would have found that impossible. I could tell he didnât even like my grandmother and my aunt, found them snobbish and a bit stupid.
âTwo outsiders,â Deborah was leaning on her elbows looking up at me.
The tennis ball went under my bed. Thinking about Tom living with Sisâs father and brothers, and even with her brotherâs wife, I slithered under to fetch it. âMaybe thatâs why Tom got drunk so much, got fed up with all the other people in the house?â I rolled out and brushed dust off my sweater.
4
Aristotleâs View of History
A week later Deborah and I were in my room again. We were poring over my grandmother Sisâs diary for 1886. My father had lent it to me; he had others, but why didnât I try this one to see if I found it interesting? It was a beige, cloth-bound book, quite worn; stiff brown cardboard showed through at the corners where the cloth had frayed. The endpapers were marbled, navy blue and wine red. The pages were stiff and very white, and crackled when I turned them.
It wasnât a diary in the sense of having dates printed in it. It had nothing printed in it. On the first page, written in large, sloping letters, in black ink, were the words âAmelia Thompson My Book 1886â. After that there was a page for every day, with
Alexei Panshin, Cory Panshin