man, hurriedly entered the stage-door. Adam experienced a mild curiosity, but he did not linger, and by the time he had arrived back at the hotel the incident was forgotten.
Meanwhile, in a dressing-room almost directly opposite to Furbelowâs open door, Edwin Shorthouse swayed a little in a cold draught. Now and again the rope creaked against the iron hook from which he was suspended, but that was the only sound.
CHAPTER SIX
â IT ARGUES A certain poverty of imagination,â said Gervase Fen with profound disgust, âthat in a world where atom physicists walk the streets unharmed, emitting their habitual wails about the misuse of science by politicians, a murderer can find a no more deserving victim than some unfortunate opera singer . . .â
âYouâd scarcely say that,â Adam answered, âif youâd known Shorthouse. He will not be very much mourned.â
The three men paused on the kerb to let a lorry go by before crossing St Gilesâ. A little whirlwind of snowflakes was swept among them by the wind.
âAll the same,â Fen resumed when they were half-way across, âgood singers are rare. And as far as Iâm able to judgeâ â his confident manner tended to nullify this reservation â âhe
was
good.â
âCertainly he was good. No one would have put up with him for two minutes if he hadnât been . . . Is the snow going to lie, one wonders?â
âIt seems to me youâre overhasty in assuming it was murder,â said Sir Richard Freeman, the Chief Constable of Oxford. He walked very upright, with short, rapid, determined steps. âMudge implied that the circumstances suggested suicide.â He frowned severely at this Jamesian hyperbole.
â
Mudge
,â Fen remarked with emotion. He buffeted his arms across his chest in the manner associated with taxi-drivers. âThat hurts,â he complained. âAnyway, if it was suicide, I scarcely see how itâs likely to interest me.â
âShorthouse. Any relation of the composer?â
âCharles Shorthouse?â said Adam. âYes. A brother. Edwin sang in a good many of Charlesâ operas, though as far as the normal repertory was concerned he specialized in Wagner. Wotan and Sachs. Mark. That chatterbox Gurnemanz. He was the obvious Sachs when they decided to put on
Meistersinger
here.â
They passed a public-house. âI should like a Burton.â said Fen, gazing back at it with the lugubrious passion of Orpheus surveying Eurydice at hell-mouth. âBut I suppose itâs too early. Shorthouse was hanged, wasnât he?â
âSo it appears.â Sir Richard Freeman nodded. âBut not strangled. It seems to have been a kind of judicial hanging.â
âYou mean his neck was broken?â
âOr dislocated. We shall get the full medical report when we arrive.â
âItâs by no means a common way to commit suicide.â Fen commented. His normally cheerful, ruddy face was thoughtful. âIn fact, the arranging of it would involve a certain amount of knowledge and finesse.â He buttoned at the neck the enormous raincoat in which he was muffled, and adjusted his extraordinary hat. He was forty-three years old, lean, lanky, with blue eyes and brown hair ineffectually plastered down with water. âI gather,â he pursued as they turned up Beaumont Street by the Randolph Hotel, âthat Shorthouse had been causing trouble at rehearsals.â
âTrouble,â said Adam grimly, âis an understatement. By the wayâ â he turned to the Chief Constable â âI asked my wife along to the theatre this morning. I hope you donât mind. You see, itâs rather in her line.â
âYour
wife,â
said Sir Richard, heavily, like one burdened suddenly with a dangerous secret. âI didnât know you were married, Langley.â
âAdamâs wife,â Fen explained,