Sylvia: A Novel by Leonard Michaels Read Free Book Online Page B

between one person and another lay in what they knew about their private theaters. Willy Stark had some idea like that: everything is theater; nothing is real. Everybody had a role to play; or, everybody, like it or not, had to play a role. You played in your theater, or in somebody else’s, depending on your willpower and imagination. Around then, in Jerusalem, Adolf Eichmann was telling the world that he’d never killed a Jew or a non-Jew. Killing wasn’t in his nature. But, he said, if he’d been ordered from high up in the SS to kill his father, he’d have done it.
    Sylvia looks in the mirror and dreams about lovers as she cuts her hair. She worries about pimples, pains, and pregnancy, and she worries about what everyone thinks of her, and she spends a lot of time sleeping, or lying about eating candy and frosted rolls, complaining of pains. Occasionally, she will show me affection. She went on today about her periods, how much of her life has bled away.
    JOURNAL, JANUARY 1961
    I recorded our fights in a secret journal because I was less and less able to remember how they started. There wouldbe an inadvertent insult, then disproportionate anger. I would feel I didn’t know why this was happening. I was the object of terrific fury, but what had I done? What had I said? Sometimes I would have the impression that the anger wasn’t actually directed at me. I’d merely stepped into the line of fire, the real target being long dead. I wasn’t him. He wasn’t me. I’d somehow become Sylvia’s hallucination. Perhaps I didn’t really exist, at least not the way a table, a hat, or a person exists. Once, when I thought a bad scene was over, I lay down and threw my arm over my eyes. It was after 3 a.m., but Sylvia refused to turn off the light. She sat in a chair, six feet from the bed, and watched me. Then I heard her say, “I don’t know how you find the courage to go to sleep.” She might stick a knife in my heart, I supposed. But she couldn’t afford to kill me. She’d be alone. Sleep took no courage.
    Another time she pulled all my shirts out of the dresser and threw them on the floor and jumped up and down on them and spit on them. I seized her wrists and pressed her down on the bed while I shouted into her face that I loved her. By tiny degrees, she seemed to relax, to relent. I urged her along, more observer than committed fighter, and I sensed the changes she passed through, each degree of feeling.
    After a fight, unless there was sex, Sylvia usually collapsed into sleep. Ringing with anguish, exceedingly awake, I forced myself to rethink the fight, moment by moment, writing it all down in the cold room as Sylvia slept. It wasmy way of knowing, if nothing else, that this was really happening. It was also a way of talking about it, though only to myself. I hid the journal in a space just below the surface of the table where I wrote stories. None of the stories were about life on MacDougal Street. My life wasn’t subject matter. It wasn’t to be exploited for the purpose of fiction. I’d never even talked about it to anyone, and I imagined that nobody knew how bad things were. As a matter of high principle and shame, I kept everything that happened on MacDougal Street to myself. By sneaking the events into my journal, when Sylvia collapsed, I made them seem even more secret. Then, one afternoon, Malcolm Raphael, another old friend from the University of Michigan, visited. We were alone in the apartment. He said he’d just come from Majorca, where he’d overheard some Americans, lying near him on the beach, talking about me and Sylvia. One of them lived in our building. He described our fights to the others.
    I felt myself going blind and deaf, repudiating the news, denying it in my physiology. It was like fainting. Malcolm saw my reaction, laughed, and told me about the fights he’d had with his wife. It was an extraordinary moment. Men never talked to each other this way. His fights were as bad as mine,