Tears of the Salamander by Peter Dickinson Read Free Book Online Page B

sucked light into their own blackness. The creature had human-seeming ears but no nose. There were flaps on either side of its neck, like the gills of a fish. Its mouth was a small, round, lipless hole, which widened only a little as it started to answer Alfredo’s singing. The flaps on its neck pulsed gently.
    As the first pure, high phrase twined itself in with Alfredo’s, his whole mood changed. All his doubt and fear became longing, all his excitement became love. He knew in that instant that he had found a friend. He and the salamander spoke to each other as if they had known each other since time began. The music was their language, whose notes were words. Alfredo needed the actual words of the psalm only to give him something to sing, to embody the notes. The salamander needed no words at all.
    They spoke, as new-made friends do, mainly about themselves, who they were and where they came from. The salamander took Alfredo into the heart of the mountain, into the fiery caverns through which flowed the streams of molten rock in which the salamanders swam, or hauled themselves out onto the glowing ledges to sing. The whole mountain rang with their singing. It was their life, theirreason for existence, that they should sing to each other. It was the loss of that that filled the salamander with such longing. So intense was the sung friendship that Alfredo saw and knew and felt these things, as if he himself had lived as a salamander.
    He, not in his turn but at the self-same time, took the salamander home. He took it into the bakehouse where the three ovens Father had built beamed out their inner heat as the rich loaves rose—a pale, faint heat, compared to that of the mountain, but still born of the living fire. He took it into the kitchen, where the family sat round their Sunday supper, content in their love for each other. He took it singing up through the twisting street into the glimmering darkness of the cathedral, where eight hundred lit candles glowed for the evening Mass, and the choir processed to their stalls and there sang their sweetest for the glory of God and the delight of the Prince-Cardinal.
    Both boy and salamander wept.
    Through the blur of his tears Alfredo was mistily aware of Uncle Giorgio leaning over the furnace, with his little ladle in his gloved hand, to catch the drops that fell from the salamander’s cheeks. Then the psalm ended, the salamander withdrew below the surface, Uncle Giorgio closed the lid, and Alfredo was left with the echoes of the music dwindling in his mind.
    He removed his spectacles and wiped his eyes on his sleeve. By the time he could see clearly, Uncle Giorgio was stoppering a little flask. He slipped it into a pocket, gazed impassively down at Alfredo for several seconds, shook his head as if in reproof, and picked up a strange little dish. Itwas shaped like one of the bakehouse loaf tins, but would have baked only one small finger-roll, and had a long handle and was made of iron. Carefully Uncle Giorgio wiped its inner surface with a greasy rag.
    “Watch,” he commanded.
    Crouching beside him, Alfredo saw him reach with both hands beneath the furnace and turn a spigot. A thin stream of golden liquid flowed out into the pan. When it was almost full Uncle Giorgio closed the spigot, rose and set the pan down.
    “Pure gold,” he said calmly.
    He fetched a second pan, crouched again, half-filled it and set it beside the first.
    “Today we will climb the mountain,” he said, and led the way out.

    The track was much steeper than the one they had climbed between the vineyards, but the mules scrambled up it sure-footed. The one Alfredo was riding wasn’t the one he’d led up the mountain. Like Uncle Giorgio, he sat sideways in the saddle. They had broad-brimmed straw hats slung behind their shoulders, but for a long while didn’t need to wear them as the path wound up through the shade of dense old woodland. Uncle Giorgio didn’t say a word. Alfredo clung swaying to