defended it at whatever cost. He sneaked away without any difficulty, like a shadow. "Keep quiet!": the terrible injunction. But instead, as soon as she had seen him go out, she had flung herself at the window, yes, that one, that very one, which looked down on the courtyard, and opening it, had shouted, shouted, the tenants said rather that she had screamed wildly: "Thief! Thief! Help! Stop him!" Then ... She wanted to follow him at once, but she was taken ill, worse even than before. She had fallen, or thrown herself, on "her" bed: there. And she pointed it out.
Two hundred and nineteen, five floors plus the roof and the two stairways, A and B, with some offices on B, on the mezzanine: it was like a railroad station. The stairs, both of them easily climbable, and one darker than the other. Stairway A was a bit quieter than its counterpart: all real respectable on that side, du cote de chez madame.
From the combined and overlapping reports of the concierge and the other lady tenants more prompt in myth-making, whom Ingravallo questioned outside without writing anything down, and again later in the entrance hall below, behind the building's main door and at the little door, guarded first by the corporal, then by a policeman, one could finally reconstruct the event. And verify another circumstance, a fairly curious one, indeed. The delinquent had been boldly pursued. "Ah!" Ingravallo said. "Yes," too boldly perhaps. It seemed that in pursuing him, or pretending to pursue him, down the steps and into the hall, even before Signor Bottafavi of the fourth floor who had also chased him with a revolver, there had been first of all a young man, "yes, a young man." "No, not a young man, a kid . . ." What do you mean, a kid? He was this tall: he looked like a grocer's helper, with an apron all twisted around his waist, but he had sporty pants on, with heavy, long green stockings. "What! Green?" He had darted out, through the entrance, a little after they heard the two shots, two pistol shots on the stairs. And nobody had seen him afterwards. "Yes, I did! On the sidewalk! I was coming from Santa Maria Maggiore! He ran off . . ." The testimonial passion, striking fire in every soul, kindled an epos. All the women talked at once: a confusion of voices and sights: maids, mistresses, broccoli: enormous broccoli leaves came out of a crammed, swollen shopping bag. Shrill or infantile voices added denials or confirmations. All around, a little white poodle wagged its tail excitedly, and from time to time he barked too: as authoritatively as possible.
Ingravallo felt stifled, crushed by the tales and by their tellers.
After the shouts of the Signora Menegazzi, the two Bot-tafavis above, husband and wife, had come out on the landing in their slippers, also shouting, a lovely connubial soprano-baritone duet: "Thief! Thief!" Now they demanded suitable recognition of their courage, of their presence of mind. Bottafavi, indeed, with a big revolver, which he chose to display to Doctor Ingravallo, then to the others present: the women stepped back a pace: "Well, now don't start shooting at us!": the children craned their necks, lost in admiration. They had, from that moment on, a very high opinion of Signor Butt and Fiver, as they called him. He went on narrating, revolver in hand, but unloaded: barrel in the air. He re-created the events with great precision. At that moment, try as he might, he hadn't managed to fire it. Because the safety was on, a little pin in the seventh hole of the drum. And after so many years of that machine's absolute inactivity, he had forgotten that real revolvers— like his, precisely—had that damn safety! which, when it is down, prevents them from going off. So, at the height of things, the thief had slipped away, full tilt. "But didn't you fire two shots?" Ingravallo asked. "Why, officer, you think I'm some crazy kid? . . . Shooting for the fun of it like that?" "But you tried." "Tried. Tried is one thing. My