because he had a list of names in front of him and probably had already penciled through Griffin’s. At this all-too-plausible explanation Griffin’s heart sank, though it, too, was flawed. Why leave an urgent message to call back if you were already moving on?
“You’re asking me?”
“No, just thinking out loud.”
“Have you called Laura yet?”
“Joy. I will, okay? Right now, in fact.”
Hanging up, he scrolled down his phone’s contacts list, pausing at LAURA before continuing to SID. Half a dozen times over the lastyear he’d come close to deleting Sid’s entry, but he’d been right not to, he thought, smiling. After four rings his agent’s machine picked up, inviting him to leave a message. Strange. Even with the three-hour time difference, he should’ve been in the office by now, or if not Sid himself, then Darlice, his longtime assistant. Had business slowed to the point where he’d had to let her go? Sid’s speed dial had once been a who’s who of Hollywood royalty, but one by one, according to Tommy, his important clients had moved on. Still, Sid answering his own phone? Impossible. It then occurred to Griffin that Tommy might know what Sid was offering. His old writing partner always prided himself on knowing whatever was in play. He was tempted to give him a call, except that every time he did the first thing Tommy wanted to know was whether he’d given up on “going straight” yet. To his way of thinking, screenwriting was a lot like stealing, and he’d warned Griffin that moving to Connecticut would be like Butch Cassidy’s going to Bolivia. When Griffin argued that he could just as easily write screenplays in New England and deliver them by e-mail attachment, Tommy just laughed and said, “You just keep thinkin’, Butch. That’s what you’re good at.”
Before he could make up his mind, he received another incoming call, and MOM was the warning displayed on the screen. What in the world did she want now, he wondered, letting it go to voice mail. There was a roof over the porch where he sat, but he leaned forward and scanned the sky anyway.
Laura answered on the first ring, sounding groggy, though it was nearly one in the afternoon. “Hold on,” she said, and he could hear her telling Andy, her boyfriend, to go back to sleep. “There,” she said, coming back on the line. “I’m out on the balcony. Last night we all stayed up to watch the sun rise. Alcohol may have been involved.”
“You should take it easy,” he said, immediately regretting it.Why on earth should she? She and her friends were still in their twenties, an age when you could both work and play hard, before it all started catching up with you. It would be years, at least a decade or two, before any of them started greeting the sunrise for a whole different set of reasons. “How’s Andy?”
“Great. Wonderful.” As if the words had not yet been invented to describe just how great, how wonderful. But then her tone immediately became serious. “What’s up with you and Mom?”
Laura had spent much of her adolescence terrified that one day he and Joy would split up. Most of her friends’ parents had divorced, traumatizing their youth, so, she reasoned, what was to prevent the same thing from happening to her? He and Joy seldom argued, but when they did, the first thing they had to do afterward was console their daughter. Telling her they both loved her, loved her more than anything, wouldn’t do the trick. No, what she wanted to hear was how much they loved each other. Nor, at twenty-six, had she outgrown this old anxiety. Just last year she’d confessed to Joy that she still had the occasional nightmare about getting a phone call from one or the other of them to say they were calling it quits.
“Nothing’s the matter, sweetheart. Your mother just got tied up with some meetings.”
She was quiet for a moment, and he expected further grilling, but instead she said, “Are you still going to Truro
J.R. Rain, Elizabeth Basque