of timidity when she is in the small environment of her equals. She
shivers now as Maximilian addresses her with a smile of confidence.
Baudouin looks from Mildred’s heart-shaped white face to Walburga’s strong
dark face, two portraits in matching white frames. ‘Sisters,’ Baudouin says,
‘Felicity ought not to be the Abbess of Crewe.’
‘It must be Alexandra,’ Walburga says.
‘It shall be Alexandra,’ says Mildred.
‘Then we have to discuss an assault strategy in dealing with Felicity,’ says
Baudouin.
‘We could deal with Felicity very well,’ Walburga says, ‘if you would
deal with Thomas.’
‘The two factors are one,’ Maximilian says, smiling wistfully at Mildred.
The bell rings for Vespers. Walburga, looking straight ahead, says, ‘We shall have
to miss Vespers.’
‘We’ll miss all the Hours until we’ve got a plan,’ Mildred says
decisively.
‘And Alexandra?’ says Baudouin. ‘Won’t Alexandra return to join
us? We should consult Alexandra.’
‘Certainly not, Fathers,’ Walburga says. ‘She will not join us and we
may not consult her. It would be dishonourable —’
‘Seeing she is likely to be Abbess,’ says Mildred.
‘Seeing she will be Abbess,’ Walburga says.
‘Well, it seems to me that you girls are doing plenty of campaigning,’
Baudouin says, looking round the room uncomfortably, as if some fresh air were
missing.
Maximilian says, ‘Baudouin !’ and the nuns look down, offended, at their
empty hands in their lap.
After a space, Mildred says, ‘We may not canvass for votes. It is against the
Rule.’
‘I see, I see,’ says large Baudouin, patiently.
They talk until Vespers are over and the black shape comes in to remove the tea tray.
Still they talk on, and Mildred calls for supper. The priests are shown to the
visitors’ cloakroom and Mildred retires with Walburga to the upstairs lavatories
where they exchange a few words of happiness. The plans are going well and are going
forward.
The four gather again, conspiring over a good supper with wine. The bell rings for
Compline, and they talk on.
Upstairs and far away in the control room the recorders, activated by their voices,
continue to whirl. So very much elsewhere in the establishment do the walls have ears
that neither Mildred nor Walburga are now conscious of them as they were when the
mechanisms were first installed. It is like being told, and all the time knowing, that
the Eyes of God are upon us; it means everything and therefore nothing. The two nuns
speak as freely as the Jesuits who suspect no eavesdropping device more innocuous than
God to be making a chronicle of their present privacy.
The plainchant of Compline floats sweetly over from the chapel where Alexandra stands in
her stall nearly opposite Felicity. Walburga’s place is empty, Mildred’s
place is empty. In the Abbess’s chair, not quite an emptiness as yet, but the
absence of Hildegarde.
The voices ripple like a brook:
Hear, O God, my supplication:
be attentive to my prayers.
From the ends of the earth I cry to thee:
when my heart fails me.
Thou wilt set me high upon a rock, thou wilt
give me rest:
thou art my fortress, a tower of strength
against
the face of the enemy.
And Alexandra’s eyes grieve, her lips recite:
For I am homesick after mine own kind
And ordinary people touch me not.
And I’m homesick
After my own kind…
Winifrede, taking over Mildred’s duty, is chanting in true
tones the short lesson to Felicity’s clear responses:
Sisters: Be sober and vigilant:
for thy enemy the devil, as a raging lion, goeth about seeking whom he may devour.
Him do thou resist …
‘Aye, I am wistful for my kin of the spirit’; softly
flows the English verse beloved of Alexandra:
Well then, so call they,
the swirlers out of the mist of my
soul,
They that come stewards, bearing old
magic.
But far all that, I am
homesick after mine own