(“My doc keeps telling me we only live once”), and with his noncommittal calmness did relieve his brother-in-law’s agitation and guilt, Fred was left with the impression that it would be absurd of him to leave the children and Betsy and the share of the Emmet Corporation her lawyers would demand. Would Carlyle, if he ever
did
see him with the other woman, be enough impressed? Was not erotic passion in truth as mechanical as an internal-combustion engine? Perhaps, in giving him reason to talk of her to Carlyle, to brag, as it were, to the older, taller, stronger man of his conquest, the other woman had served much of her purpose. Looking back, years later, Fred wondered if the sisters hadn’t known more than they seemed to, and hadn’t urged Carlyle to come and have this brotherly consultation, there in the empty Chatham house sticky with salt air.
The marriages, and the families, went on. So many outings, to build up their children’s childhood—beaches, mountains, shopping malls, Disney World. So much shared sunshine. Why, then, did Fred’s scattered memories of Carlyle tend tobe shadowy? One Christmastime in Brookline, Fred, responding to a ruthless battering sound from below, went into his cellar and discovered his brother-in-law, sinisterly half-lit by the fluorescent tubes above the workbench, pounding something glittering gripped in the vise. The other man’s eyes, looking up and squinting with the change of focus, had that watery, warm—was it sheepish?—look they had worn that day of his wedding, as he came up the shady road beneath the hemlocks and birches. “Santa’s workshop,” he explained huskily. He hid with his body what he was doing. He looked demonic, or damned, in the flickering basement light. Fred backed up the stairs, as embarrassed as if he had surprised the other man undressed.
Betsy explained it to him later, in bed. To save money, Carlyle was making some of their Christmas presents this year—silver dollars drilled through and beaten into rings for the boys, and strung into necklaces for the girls. It was the sort of thing he used to do as a boy; he had been creative, artistic. It was sweet, Betsy thought.
To Fred, even this exercise in thrift savored of extravagance—silver dollars! “Are they that hard up?” he asked. “What’s happened to all Carlyle’s money?” He had always resented it that Carlyle had simply
had
money, whereas he had had to make it, a crumb at a time.
Well, according to what Betsy had gathered from Germaine, who out of loyalty of course didn’t like to say much, six children in private schools and colleges aren’t cheap, and the stock market had been off under Nixon, and Carlyle had trouble trimming his expensive tastes—the M.G. convertible, the English suits ordered tailor-made from London even though he rarely wore suits, the beach house in Malibu in addition to their seven-bedroom Mission-style home in Bel Air. The people he dealt with expected him to have these things.
“Who
does
he deal with?” Fred asked.
“
You
know,” Betsy said, in the voice of one who didn’t exactly know, either. “Movie people. He’s involved in a movie now, Germaine did allow, that’s just
sucking
the money out of him. He’s in with this guy, Lanny somebody, who was supposed to make a low-budget blue movie with an adventure theme as well, so it would not just be for the triple-X theatres but could get into the softer-core drive-ins, but who without asking or telling Carlyle went and rented one of those sound stages that cost twenty-five thousand a day or something fantastic for these episodes that don’t exactly tie in yet, since he doesn’t have a real script, it’s all in his head. He even bought an old frame house somewhere and burned it down for one scene. Germaine thinks Carlyle is being taken for a
hor
rible ride but is too proud to say anything. You remember all that buddy-buddy skiing and hunting he used to do?—those people used to take