The Art of Deception by Nora Roberts Read Free Book Online Page A

bones seemed fragile under his hands, but her eyes were steady and direct.
    “Because,” he said at length,” your face is fascinating. I want to paint that, the translucence, and your sexuality.”
    Her mouth heated under the careless brush of his fingers. Her hands tightened on the fruitwood, but her voice was even. “And if I said no?”
    That was another thing that intrigued him, the trace of hauteur she used sparingly—and very successfully. She’d bring men to their knees with that look, he thought. Deliberately he leaned over and kissed her. He felt her stiffen, resist, then remain still. She was, in her own way, in her own defense, absorbing the feelings he brought to her. Her knuckles had whitened on the wood, but he didn’t see. When he lifted his head, all Adam saw was the deep, pure gray of her eyes.
    “I’d paint you anyway,” he murmured. He left the room, giving them both time to think about it.
     
    She did think about it. For nearly thirty minutes, Kirby sat perfectly still and let her mind work. It was a curious part of her nature that such a vibrant, restless woman could have such a capacity for stillness. When it was necessary, Kirby could do absolutely nothing while she thought through problems and looked for answers. Adam made it necessary.
    He stirred something in her that she’d never felt before. Kirby believed that one of the most precious things in life was the original and the fresh. This time, however, she wondered if she should skirt around it.

    She appreciated a man who took the satisfaction of his own desires for granted, just as she did. Nor was she averse to pitting herself against him. But… She couldn’t quite get past the but in Adam’s case.
    It might be safer—smarter, she amended—if she concentrated on the awkwardness of Adam’s presence with respect to the Van Gogh and her father’s hobby. The attraction she felt was ill-timed. She touched her tongue to her top lip and thought she could taste him. Ill-timed, she thought again. And inconvenient.
    Her father had better be prudent, she thought, then immediately sighed. Calling Philip Fairchild prudent was like calling Huck Finn studious. The blasted, brilliant Van Gogh was going to have to make a speedy exit. And the Titian, she remembered, gnawing on her lip. She still had to handle that.
    Adam was huddled with her father, and there was nothing she could do at the moment. Just a few more days, she reminded herself. There’d be nothing more to worry about. The smile crept back to her mouth. The rest of Adam’s visit might be fun. She thought of him, the serious brown eyes, the strong, sober mouth.
    Dangerous fun, she conceded. But then, what was life without a bit of danger? Still smiling, she picked up her tools.
    She worked in silence, in total concentration. Adam, her father, the Van Gogh were forgotten. The wood in her hand was the center of the universe. There was life there; she could feel it. It only waited for her to find the key to release it. She would find it, and the soaring satisfaction that went hand in hand with the discovery.
    Painting had never given her that. She’d played at it, enjoyed it, but she’d never possessed it. She’d never been possessed by it. Art was a lover that demanded complete allegiance. Kirby understood that.
    As she worked, the wood seemed to take a tentative breath. She felt suddenly, clearly, the temper she sought pushing against the confinement. Nearly—nearly free.
    At the sound of her name, she jerked her head up. “Bloody murder!”
    “Kirby, I’m so sorry.”
    “Melanie.” She swallowed the abuse, barely. “I didn’t hear you come up.” Though she set down her tools, she continued to hold the wood. She couldn’t lose it now. “Come in. I won’t shout at you.”
    “I’m sure you should.” Melanie hesitated at the doorway. “I’m disturbing you.”
    “Yes, you are, but I forgive you. How was New York?” Kirby gestured to a chair as she smiled at her