The Beginning Place by Ursula K. Le Guin Read Free Book Online Page A

but she declined to fall down. The errand done, she left the children with their grandmother, and turned from the town’s main street to the steepest of the narrow cobbled ways going up the hillside, so steep that at intervals the street broke into steps, like a person breaking into giggles or hiccups, and then resumed its sober climb, until it had another fit of steps. At the top of it stood the wall of the garden of the manor, the arched stone gate beautiful against the clear sky. Turning to the right before she reached that
gate Irene halted for a moment, and looked up at the Master’s house.
    A dozen gables and dormers broke dark, sharp angles on the sky; the windows, bay and bow, many-paned, lay no two on one level, so that there was no counting the stories of the house except on the evidence of three great beams across the front. The door was massive, twelve-paneled. As she lifted the brass knocker ring and struck it on the polished disc of brass, it came into Irene’s mind that she had dreamed of this door many times, on the other side.
    Fimol the housekeeper, erect and imperturbable in high-necked, long-sleeved, long-skirted grey, opened the heavy door and greeted the visitor to the Master’s house. Fimol never smiled, and Irene had always been in awe of her. She noticed with a sense almost of disloyalty, as she followed her, that Fimol’s hair had gone white and that her stiff figure was thin, the body of a frail, aging woman. They came into the hall of the house.
    This was the center of it all, this high room. Facing the long wall of paneled oak were twelve high, leaded windows looking out upon the terraced garden. The sparse furniture was carved oak, the carpets of local weave, crimson, orange, and brown, warming the room even when the candles were not lit and there was only the clear constant twilight from the windows. In each end wall was a huge stone chimney-piece, and on each of these, high over the wide hearth and the mantel, hung a portrait: a stiff, melancholy lady stared with round black eyes down the length of the room at her lord,
who concealed the hand of a crippled right arm inside his coat and scowled blackly back at her.
    To the right of that farther hearth, near the door to his offices, the Master stood in conversation with the stonecutter Gahiar. Seeing Irene enter with the housekeeper he stared with that black ancestral scowl; then his face changed; he turned from Gahiar and strode down the long room to her, his hands held out. “Irena! You have come!”—such welcome as she had imagined from him, in daydream, often, but not in expectation, and not wondering what came next.
    The Master or mayor of Tembreabrezi was a spare, swarthy man with a hawk nose and dark eyes. He wore black, rusty, neatly-mended, homespun black trousers, vest, and jacket. A harsh man, a dark man. She had loved him since she first saw his face.
    He brought her out of the hall into his offices, where a fire burned and the curtains were drawn as if against the grey of a day of winter. He set her a chair, and aided by the dignity of her clothing, the dark-red skirt and homespun blouse that Palizot kept for her, she sat down without awkwardness. He stood beside the high desk where he worked standing—he was a man one seldom saw sitting down—and turned his intense look on her. She drew a deep breath and held herself quiet, her hands in her lap.
    “It has been a long time, Irena.”
    “I could not come.”
    “The way—?”
    “I could not—mid—” Nor could she find the words she
needed. “The place,” she said, and then remembering what they called the stone arch in the wall of the manor, “The gateway. It was shut.”
    “You could not walk on the road,” he said, not impatient with her stumbling, but dauntingly intent.
    “When I—when I could come to the road, I could walk on it. But at the beginning—” She stuck again.
    “You were afraid.”
    His voice was gentle; she had never heard him speak so