thrashing
bodies, the surface almost writhing with their gleams, the sound
of water laughing all around, and then they disappeared again,
the water like a shadow, deep, blue-green. And quiet. There was
a small breeze, an open field, a white clapboard building
on one side. Things are simple, thatâs what we forget.
When I slept that night I left the door ajar for Henry
who would come upstairs late for his vigil, the warm air
floating above the vent from some underworld
benevolent beyond his dreams. And when I woke later in the dark
as sometimes you do in a strange bed away from home
in a strange town with a moon and trees, I could feel he was there
long before I could distinguish his shape, before I could remember
exactly where I was. It came to me this loneliness is something we take
with us anywhere and not that we arenât loved, but that we arenât
loved forever. Life demands much less. The fish is purely
fish and thatâs enough. An apple wholly apple. Maybe itâs enough
to be human, leave the door open, wait for a soulâwhich, if it comes, comes
like the half of the conversation we imagined because we
canât imagine that speaking is only speaking, even to the night,
the way we canât believe death is only death, the way we canât
stand outside a window on a fall evening in a pile of leaves in Kalamazoo
and not count ourselves among the missing. Are you single and looking
for your soul mate? Are you drowning in credit card debt?
Do you want more hair? Do you have trouble sleeping? Yes,
I have trouble sleeping. But, when it was my turn, I cupped my hand
and the machine filled it with food for the fish I scattered
over the water and they came like the rush of fat rain up
from the deep, glittering, swarming over nothing. It made me happy.
Then the green silence closing over them again. The little cat
waiting faithfully in the dark for his death and not complaining.
And us, knowing it is already a world without us, already a pond,
a cat, an orchard stuck with swords of lightâ
but the heart needs no reason for the belovéd.
from Plume
TERRANCE HAYES
New Jersey Poem
after Willie Coleâs Malcolmâs Chicken I
One of the many Willies I know wants me to know
there are still bits of hopefulness being made
in certain quarters of New Jersey. Itâs happening
elsewhere too, obviously, this Willie would say,
but have you seen the pants sagging like the skin
on a famished elephant and the glassy stupor
of counselors in the consultation rooms, the trash
bins of vendettas and prescriptions, have you seen
the riot gear, what beyond hope could be a weapon
against all that? The summer I drove six hours and
some change to Willieâs place I found him building
a huge chicken out of brooms, wax, marbles (for eyes),
Styrofoam, and hundreds of matchsticks, but what
I remember is the vague sorrow creasing his face.
Like it wasnât a chicken at all at hand, like heâd never
even seen a chicken in New Jersey, or a feather
or drumstickâwhich I know to be untrue. A man can be
so overwhelmed it becomes a mode of being,
a flavor indistinguishable from spit. He hadnât done shit
with the letters and poems his wife left behind
when she killed herself. I think she was running,
I think she was being chased. She is almost floating
below ground now. The grave is filled with floodwater,
the roots of trees men planted after destroying the trees
shoot through her hips. Nowadays when I want saltwater
taffy or some of those flimsy plastic hooks good for hanging
almost nothing, I do not go to New Jersey. And Iâm sure
no one there misses me with all the afflictions they have
to attend. Grief will boil your eyeballs if you let it.
It is possible to figure too much, to look too much,
to be too verbal, so pigheaded nothing gets done.
In those days, that particular Willie denied he was
ever lonely in New Jersey. His head, he