doublewide,
Or the condo in Telluride,
And doused with gasoline.
They ride the candolescent flames,
Just smoke now,
Into a sky full of congratulations.
from The Iowa Review
MADELYN GARNER
----
The Garden in August
1.
Afternoon brings my neighbor outside
in her florid pink nightgown,
exposed breasts like pendulums
as she kneels in the gravel
speaking to an empty planter. As the two of us
wait in the kitchen
for her children, it is clear
her thoughts float
from the back of the skull to the front.
Unstoppered bottles. Pills on the table:
blood pressure cholesterol diabetes arrhythmic heart
dispensed out of sequence
from the calendar of forgotten days.
2.
How resigned she seems
to the eviction notices her body is receiving,
the way a daughter sags against
the door jamb.
Family members speak in code
about selling the house.
3.
Because she is a system of bone and blood
Because her hands are rusted hinges
Because wisps of spiderwebs float behind eyelids
Because her heart leaks and something has palmed a piece of one lung
Because her body is a test tube
4.
Tomorrow she will be outside again, offering
up her sweat to the sun
as she tends the perennials and
sluices water, working her garden
which is purpose, which is happinessâ
even as petal and pistil we fall.
from PMS: poemmemoirstory
AMY GERSTLER
----
Rhinencephalon
Your belly smells disheveled.
Your armpits smell like kelp.
Your genitals smell like lily flower soup
(no MSG, please). You claim weedy
scents of medicinal broth simmering
for sick infants emanate from my neck,
and that my recently doffed sox
smell of nothing but lust. Could we
sniff each other out, I wonder,
blindfolded, from among the massed souls
queuing up for free stew,
or being shoved into box cars,
or crouched under desks protecting
our necks in disaster drills,
or getting processed in tents at the edge
of a refugee camp? Do we really want
to pledge to enter heaven together
and to live on there forever
if heavenâs bereft of smell?
from The American Poetry Review
LOUISE GLÃCK
----
A Sharply Worded Silence
Let me tell you something, said the old woman.
We were sitting, facing each other,
in the park at ______, a city famous for its wooden toys.
At the time, I had run away from a sad love affair,
and as a kind of penance or self-punishment, I was working
at a factory, carving by hand the tiny hands and feet.
The park was my consolation, particularly in the quiet hours
after sunset, when it was often abandoned.
But on this evening, when I entered what was called the Contessaâs Garden,
I saw that someone had preceded me. It strikes me now
I could have gone ahead, but I had been
set on this destination; all day I had been thinking of the cherry trees
with which the glade was planted, whose time of blossoming had nearly ended.
We sat in silence. Dusk was falling,
and with it came a feeling of enclosure
as in a train cabin.
When I was young, she said, I liked walking the garden path at twilight
and if the path was long enough I would see the moon rise.
That was for me the great pleasure: not sex, not food, not worldly amusement.
I preferred the moonâs rising, and sometimes I would hear,
at the same moment, the sublime notes of the final ensemble
of The Marriage of Figaro . Where did the music come from?
I never knew.
Because it is the nature of garden paths
to be circular, each night, after my wanderings,
I would find myself at my front door, staring at it,
barely able to make out, in darkness, the glittering knob.
It was, she said, a great discovery, albeit my real life.
But certain nights, she said, the moon was barely visible through the clouds
and the music never started. A night of pure discouragement.
And still the next night I would begin again, and often all would be well.
I could think of nothing to say. This story, so pointless as I write it out,
was in fact interrupted at every stage with
Laramie Briscoe, Seraphina Donavan