The Bormann Testament by Jack Higgins Read Free Book Online Page A

amongst the jostling, cheerful people, he compared it with London at almost three in the morning. What was it they called the heart of St. Pauli— Die Grosse Freiheit —The Great Freedom? It was an apt title.
    He walked on past the garish, neon-lit fronts of the nightclubs, ignoring the touts who clutched at his sleeve, and passed the Davidstrasse, where young girls could be found in the windows, displaying their charms to the prospective customers. After asking the way, he found the Taj Mahal in an alley off Talstrasse.
    The entrance had been designed to represent an Indian temple and the doorman wore ornate robes and a turban. Chavasse passed in between potted palms, and a young woman in a transparent sari relieved him of his hat and coat.
    The interior of the club was on the same lines—fake pillars along each side of the long room and more potted palms. The waiter who led him to a table was magnificently attired in gold brocade and a red turban, although the effect was spoiled by his rimless glasses and Westphalian accent. Chavasse ordered a brandy and looked about him.
    The place was only half-full and everyone seemed a little jaded, as if the party had been going on for too long. On a small stage, a dozen girls posed in a tableau that was meant to represent bath time in the harem. In their midst, a voluptuous redhead was attempting the Dance of the Seven Veils with a complete lack of artistry. The last veil was removed, there was a little tired clapping from the audience, and the lights went out. When they came on again, the girls had disappeared.
    The waiter returned with the brandy, and Chavasse said, “You have a Fraulein Hartmann working here. How can I get in touch with her?”
    The waiter smiled, exposing gold-capped teeth. “Nothing could be easier, mein Herr. The girls act as dance-hostesses after each show. I will point Fraulein Hartmann out to you when she comes in.”
    Chavasse gave him a large tip and ordered a half bottle of champagne and two glasses. During his conversation with the waiter, a small band had been arranging itself on the stage, and now they started to play. At that moment, a door by the entrance to the kitchens opened and the showgirls started to come through as if on cue.
    Most of them were young and reasonably attractive and wore dresses that tended to reveal their charms. They were all stamped in the same mold, with heavily made-up faces and fixed, mechanical smiles for the customers.
    He was conscious of a vague, irrational disappointment at the thought that one of them must be the girl he was seeking, and then, as he was about to turn away, the door swung open again.
    He did not need the waiter’s slight nod from the other side of the room to know that this was Anna Hartmann. Like the other girls, she wore high-heeled shoes, dark stockings, and a sheath dress of black silk that was barely knee-length and clung to her hips like a second skin.
    But there the resemblance ended. There was about her a tremendous quality of repose, of tranquillity almost. She stood just inside the door and gazed calmly about the room, and it was as if she had no part in it, as if the ugliness of life could not touch her.
    He was filled with a sudden excitement that he found impossible to analyze. It was not that she was beautiful. Her skin was olive-hued and the blue-black hair was shoulder-length. Her rounded face and full curving mouth gave her a faintly sensual appearance, and yet her good bone structure and firm chin indicated a strength of character that placed her immediately in a world apart from the other girls.
    She moved forward, and heads turned as men looked at her admiringly. She skillfully evaded the clutching hand of a drunk, and then she was passing Chavasse’s table. He stood up and touched her arm quickly. “Fraulein Hartmann?” he said. “I wonder if you’d care to have a drink with me?”
    She turned and looked into his face, and then she noticed the champagne and two glasses