for evidence, maybe a suicide note or signs of a struggle. Could you tell me, broadly speaking, when it might have happened?â
Modo slipped both thumbs in the belt loops of his trousers. He looked as if he were making up his mind whether or not to go out for a sail in a boat.
âWell, itâs hot out. Very hot. And it was hot last night, too. Hard to establish the exact time, but Iâd say no later than midnight.â
âSo not this morning?â
âThe hypostatic marks on the stomach donât lie. It must have happened late at night.â
Ricciardi wondered how a man could fall out a window onto a lane in a general hospital, fail to go home to sleep, and have nobody notice, either at his place of work or in his family.
He turned to Modo once again: âPlease, Bruno, try to get the autopsy done quickly.â
The doctor snorted.
âWell, surprise, surprise, youâre in a hurry. Nothingâs ever leisurely with you and the good old brigadier. Fine, Iâll let you know when Iâm ready.â
He turned to go, but Ricciardi called after him.
âBruno, one last thing, and this one is personal. Rosa, my
tata
, you know . . . has been suffering from some health problems for a while now. She forgets things, she tends to drop things.â
âShe drops things? Always with the same hand?â
âI couldnât say for sure, but that sounds right.â
âDoes she have dizzy spells?â
Ricciardi tried to remember.
âSometimes she has to sit down. She doesnât tell me much, she doesnât want me to worry and she refuses to be seen by a doctor.â
âHow old is she?â
âShe recently turned seventy-two. If sometime when you have a minute, you could come see me, some evening . . . pretend youâre just dropping by for a visit and take a look at her, Iâd be grateful. You know that youâre the only one I trust.â
âAnd thatâs my cross to bear, unfortunately. All right, Iâll let you know the minute I have an evening free. From what you tell me, Iâd say that your Rosa has some circulatory problem. Not to be taken lightly, especially at her age. And trying to keep up with you, she must be leading a miserable life, the poor woman. Especially now that youâve started up with the high-society set . . .â
Modo was referring to a chance encounter at a movie house, when Ricciardi and Livia had turned around to see him sitting in the row behind them, with an irritating smirk on his lips.
Embarrassed, the commissario shrugged.
âWhat high society are you talking about, I had to keep a promise . . . Letâs just say I lost a bet.â
âTell me the name of the gambling den where if you lose a bet they force you to go out with a woman like her, and Iâll go lose my whole salary there. The widow Vezzi gets more and more beautiful, and that night on your arm she was radiant. You were the most envied man in the movie theater, including the actors kissing actresses.â
Ricciardi cut his friend off.
âAll right, I get it, letâs get back to work. The morgue attendants are on their way, and Iâll have them take the corpse to the hospital; and remember, Iâll expect you to come by sometime to take a look at Rosa.â He turned to Maione: âCome on, Raffaele, letâs go upstairs and take a look around.â
The brigadier sighed: âAt your orders, Commissaâ. The doctor certainly has a point: with this belly and in this heat, the ideal thing is to climb four flights of stairs.â
VIII
I nside the pavilion there was an unnatural silence. As he climbed the broad steps on his way up to the top floor, Ricciardi guessed that the place must normally be much livelier; but that morning the building seemed deserted. The doors lining the hallways were nearly all closed, and you could barely hear the occasional murmur.
They crossed paths with a