make predictions.”
Three
THE VIOLENCE of the Black Sea fit Leonid Arkadin down to his steel-tipped shoes. In a tumultuous rain, he drove into Sevastopol from Belbek Aerodrome. Sevastopol inhabited a coveted bit of territory on the southwestern edge of the Crimean peninsula of Ukraine. Because the area was blessed with subtropical weather, its seas never froze. From the time of its founding by Greek traders as Chersonesus in 422 BC, Sevastopol was a vital commercial and military outpost for fishing fleets and naval armadas alike. Following the decline of Chersonesus-“peninsula,” in Greek-the area fell into ruin until the modern-day Sevastopol was founded in 1783 as a naval base and fortress on the southern boundaries of the Russian Empire. Most of the city’s history was linked to its military glory-the name Sevastopol translated from Greek means “august, glorious.” The name seemed justified: The city survived two bloody sieges during the Crimean War of 1854-1855 and World War Two, when it withstood Axis bombing for 250 days. Although the city was destroyed on two different occasions, it had risen from the ashes both times. As a result, the inhabitants were tough, no-nonsense people. They despised the Cold War era, dating to roughly 1960 when, because of its naval base, the USSR
ordered Sevastopol off limits to visitors of all kinds. In 1997 the Russians agreed to return the city to the Ukrainians, who opened it again.
It was late afternoon when Arkadin arrived on Primorskiy Boulevard. The sky was black, except for a thin red line along the western horizon. The port bulged with roundhulled fishing ships and sleek steel-hulled naval vessels. An angry sea lashed the Monument to Scuttled Ships, commemorating the 1855 last-ditch defense of the city against the combined forces of the British, French, Turks, and Sardinians. It rose from a bed of rough granite blocks in a Corinthian column three yards high, crowned by an eagle with wings spread wide, its proud head bent, a laurel wreath gripped in its beak. Facing it, embedded in the thick seawall, were the anchors of the Russian ships that were deliberately sunk to block the harbor from the invading enemy. Arkadin checked into the Hotel Oblast where everything, including the walls, seemed to be made of paper. The furniture was covered in fabric of hideous patterns whose colors clashed like enemies on a battlefield. The place seemed a likely candidate to go up like a torch. He made a mental note not to smoke in bed.
Downstairs, in the space that passed for a lobby, he asked the rodent-like clerk for a recommendation for a hot meal, then requested a telephone book. Taking it, he retired to an understuffed upholstered chair by a window that overlooked Admiral Nakhimov Square. And there he was on a magnificent plinth, the hero of the first defense of Sevastopol, staring stonily at Arkadin, as if aware of what was to come. This was a city, like so many in the former Soviet Union, filled with monuments to the past. With a last glance at slope-shouldered pedestrians hurrying through the driving rain, Arkadin turned his attention to the phone book. The name that Pyotr Zilber had given up just before he’d committed suicide was Oleg Shumenko. Arkadin dearly would have loved to have gotten more out of Zilber. Now Arkadin had to page through the phone book looking for Shumenko, assuming the man had a landline, which was always problematic outside Moscow or St. Petersburg. He made note of the five Oleg Shumenkos listed, handed the book back to the clerk, and went out into the windy false dusk.
The first three Oleg Shumenkos were of no help. Arkadin, posing as a close friend of Pyotr Zilber’s, told each of them that he had a message from Pyotr so urgent it had to be transmitted in person. They looked at him blankly, shook their heads. He could see in their eyes they had no idea who Pyotr Zilber was.
The fourth Shumenko worked at Yugreftransflot, which maintained the largest