been felled by strokes or illness is difficult. You want to empathize, but you also want to distance yourself. Old age isnât contagious. Still, you donât want to catch it.
Iâm also beginning to worry about my mother, who is uncharacteristically late. All the ladies remark on it, a collective concern rising around the table. My mother is extremely punctual, always early to appointments and performances. This is because she leaves roughly thirty to forty-five extra minutes to get anywhere, factoring in traffic, a possible restroom stop, time to park, and the outside chance of Armageddon. Choosing a time to meet or leave has become a constant negotiation with her. It took a while for me to realize that she wanted more time because she needed more time. She has always had the energy of ten men. I either couldnât or didnât want to fathom her slowing down. Now, Iâve learned to accommodate it, do things on her timeline. I get it. Plus, there is nothing worse than driving with her when she perceives that we might be late. She drums her lacquered nails on the car door and exhales heavily, like a stoner after taking a monster hit off a bong.
When my mother finally arrives, she doesnât offer any explanation, but she has a funny look on her face. When I question her later, she says, embarrassed, that she fell asleep on the couch, reading the paper. Once, when she didnât hear the doorbell, I let myself in and made my way down the long front hallway of our house to discover her on the couch, her head pitched forward. I instantly imagined the worst. I didnât want to call out âMom, Momâ and shake her shoulder. I didnât want her gone. Then, just as Iâd gathered the courage to approach, she roused. Trying to shake off the fright, I told myself that this would be the best possible outcome. My mother going gently into thatgood afternoon with her beloved New York Times , reading a Ben Brantley review for a new play that sheâd rush out to see based on his recommendation. My mother talks about Ben Brantley as if she knows him and has been having an ongoing dialogue with him for decades. If she hates a play he touts, she wants to throttle him. âIâd like to throttle that Ben Brantley.â And if she likes one, all is forgiven.
When the waitress returns with our drinks Rhoda asks for a Splenda, and the waitress takes a limp yellow packet out of her apron. When she leaves, the ladies explain that the customers steal the artificial sweetener, so they no longer keep it on the table. I confess that I steal my Sweetân Low from Dunkinâ Donuts. After a brief silence, Bette confesses that her husband does, too. I canât even begin to calculate how many pink packets have been pilfered worldwide.
âAre you girls ready to order?â The waitress sinks back into her hip.
Girls?
After the waitress takes our orders I ask the ladies how they feel about being called girls. My mother doesnât like it one bit. Bette and Rhoda donât mind. Jackie says it makes her feel young. Bea doesnât care. Thatâs it. No discussion of aging, of how they feel, or what it was like becoming invisible past fifty and now, well into their eighties, infantilized. My question doesnât go any farther than a flat rock that skims the surface of a lake then sinks.
The level of intimacy between my friends and me is anathema to the Bridge Ladies. I once asked Bette if she has any idea how open we are with each other, and she imagined it was like Sex and the City . Okay, weâre not that open. We donât talk aboutbleaching our assholes, but we talk all the time and about everything. We are obsessed with work, obsessed with our iPhones, obsessed with ourselves. We are obsessed with our kids and our âparenting,â which wasnât even a verb when our mothers raised us. We talk about meds, moisturizers, and mammograms. We talk about Lena Dunham, a lot. At
Pittacus Lore, James Frey, Jobie Hughes