awkward and undignified. The world famous homicide team of the Sûreté du Québec interviewing suspects in their stockinged feet.
Madame Parra didn’t tell her not to. But she did give her slippersfrom a wooden box by the door, jumbled full of old footwear. Again, this surprised Lacoste, who’d expected everything to be neat and tidy. And rigid.
“We’re here to speak to your son.”
“Havoc.”
Havoc. The name had amused Inspector Beauvoir, but Agent Lacoste found nothing funny about it. And, strangely, it seemed to fit with this cold, brittle place. What else could contain Havoc?
Before driving out she’d done some research on the Parras. Just a thumbnail sketch, but it helped. The woman leading her out of the mudroom was a councillor for the township of Saint-Rémy, and her husband, Roar, was a caretaker, working on the large properties in the area. They’d escaped Czechoslovakia in the mid-80s, come to Quebec and settled just outside Three Pines. There was, in fact, a large and influential Czech community in the area, composed of escapees, people running until they found what they were looking for. Freedom and safety. Hanna and Roar Parra had stopped when they found Three Pines.
And once there, they’d created Havoc.
“Havoc!” his mother cried, letting the dogs slip out as she called into the woods.
After a few more yells a short, stocky young man appeared. His face was flushed from hard work and his curly dark hair was tousled. He smiled and Lacoste knew the other waiters at the bistro hadn’t stood a chance with the girls. This boy would take them all. He also stole a sliver of her heart, and she quickly did the figures. She was twenty-eight, he was twenty-one. In twenty-five years that wouldn’t matter so much, although her husband and children might disagree.
“What can I do for you?” He bent and took off his green Wellington boots. “Of course, it is that man they found in the bistro this morning. I’m sorry. I should have known.”
As he talked they walked into a quite splendid kitchen, unlike any Lacoste had seen in real life. Instead of the classic, and mandatory as far as Lacoste knew, triangle of fitments, the entire kitchen was ranged along one wall at the back of the bright room. There was one very long concrete counter, stainless steel appliances, open floating shelves with pure white dishes in a regimented line. The lower cabinets were dark laminate. It felt at once very retro and very modern.
There was no kitchen island but instead a frosted glass dining table, and what looked like vintage teak chairs stood in front of the counter. As Lacoste sat in one, and found it surprisingly comfortable, she wondered if these were antiques brought from Prague. Then she wondered if people really slipped across borders with teak chairs.
At the other end of the room was a wall of windows, floor to ceiling, that wrapped around the sides giving a spectacular view of fields and forest and a mountain beyond. She could just see a white church spire and a plume of smoke in the distance. The village of Three Pines.
In the living area by the huge windows two sofas lined up perfectly to face each other, with a low coffee table between them.
“Tea?” Hanna asked and Lacoste nodded.
These two Parras seemed at odds in the almost sterile environment and as they waited for the tea to brew Lacoste found herself wondering about the missing Parra. The father, Roar. Perhaps it was his angular, hard stamp on this house. Was he the one who yearned for cool certainty, straight lines, near empty rooms, and uncluttered shelves?
“Do you know who the dead man was?” asked Hanna as she placed a cup of tea in front of Agent Lacoste. A white plate piled with cookies was also put on the spotless table.
Lacoste thanked her and took one. It was soft and warm and tasted of raisin and oatmeal, with a hint of brown sugar and cinnamon. It tasted of home. She noticed the teacup had a smiling and waving snowman in a
Gary Pullin Liisa Ladouceur
The Broken Wheel (v3.1)[htm]