its reek of old incense and older sacrifices and went out into the clean air of the city. Relatively clean, at any rate. The wind wasn't off the fish market or the slaughter yards or, worst of all, the open burial pits. It blew clean from the north, off the Alps. It was a pleasant waste of time, but it had to end and I turned toward my duties. Just within the entrance, I stopped. Something seemed to be wrong or out of place. I looked about me carefully. The statue of Saturn was as always. The pigeons nesting in the rafters cooed as usual. The temple was one of the most ancient, much of it still made of wood. There seemed to be nothing different about the various alcoves and doorways. My gaze stopped at the low doorway to the right of the entrance. It was the one old Minicius the state freedman had said led only to some disused storerooms. I walked over to it to see what was wrong.
There were fresh footprints in the dust, a great many of them. Had another train of slaves taken the wrong turn and gone in there? The question might not have concerned me had I not been so bored. Or perhaps it was because my mind was on mysterious matters such as, why had the murderer of Manius Oppius not stolen those rings, which were valuable enough to keep a poor family comfortable for two or three years? Or it might have been my
genius
whispering in my ear.
Genii
are supposed to be guardian spirits, but mine always gets me in trouble.
For the second time that day, I squatted to examine the evidence. There were prints of sandals and of bare feet. The bare feet probably belonged to slaves. I could see that at least two pairs of sandals had made prints, but little more than that. I straightened and looked around to see if anyone was observing me. I felt foolish, like a boy out climbing trees when he should be at his studies. Quietly, I went to a wall niche and took a lamp from it. Then I went back to the doorway.
The footprints were on a small landing, from which steep stairs slanted downward to the right. I descended the steps slowly, allowing my eyes to become accustomed to the dimness. By the time I reached the bottom, the illumination provided by the lamp's smoky wick was perfectly adequate. The stairs ended at another tiny landing, with barely enough room for a man to stand and turn around. Three doorways opened off the landing, one to each side and one straight ahead. The last of the steps and these three rooms were actually below the foundations of the temple, carved directly into the bedrock. It felt far older than the treasury rooms. It was a strange sensation, standing on a spot where Romulus might have stood.
I decided to try the room before me first. Ducking below the lintel, I went through and found myself in a small, cramped chamber. Its walls were decorated with faded paintings of gods and demons in the Etruscan style. On one wall, a blindfolded man was being savaged by a dog or wolf held on a leash by a figure with the long nose and ears of a death-demon. On another, two naked men were locked in mortal combat while men and women in priestly raiment looked on. One combatant grasped his opponent around the neck and thrust his sword through his body while the other's sword pierced the victor's thigh. Blood gushed profusely from both wounds. On the third wall, a warrior in antique armor grasped the hair of a bound prisoner seated on the ground before him and drew his sword across the; victim's throat.
I like to think that I am not superstitious, but these ancient paintings filled me with horror. Were these long-forgotten rites of worship once demanded by Saturn? Were they scenes from the dedication of the temple? It was not the mere bloodshed,, which was a common enough sight. It was the ritual, religious nature of it. We were fond of our gods as patrons of agriculture or craft or war, but we had little liking for the blood-drinking gods of the underworld. Our ancestors had not been so squeamish.
I would have to bring Cato down