room.
Creak and echo.
Creak and echo. With absolute clarity
he knows where he is.
Tin Roof
She hesitated. ‘Are you being romantic now?
’
‘
I’m trying to tell you how I feel without exposing myself. You know what I mean?
’
ELMORE LEONARD
*
You stand still for three days
for a piece of wisdom
and everything falls to the right place
or wrong place
You speak
don’t know whether
seraph or bitch
flutters at your heart
and look through windows
for cue cards
blazing in the sky.
The solution.
This last year I was sure
I was going to die
*
The geography of this room I know so well
tonight I could rise in the dark
sit at the table and write without light.
I am here in the country of warm rains.
A small cabin – a glass, wood,
tin bucket on the Pacific Rim.
Geckoes climb
the window to peer in,
and all day the tirade pale blue waves
touch the black shore of volcanic rock
and fall to pieces here
*
How to arrive at this
drowning
on the edge of sea
(How to drive
the Hana Road, he said—
one hand on the beer
one hand on your thigh
and one eye for the road)
Waves leap to this cliff all day
and in the evening lose
their pale blue
he rises from the bed
as wind from three directions
falls, takes his place
on the peninsula of sheets
which also loses colour
stands in the loose green kimono
by a large window and gazes
through gecko
past the deadfall
into sea,
the unknown magic he loves
throws himself into
the blue heart
*
Tell me
all you know
about bamboo
growing wild, green
growing up into soft arches
in the temple ground
the traditions
driven through hands
through the heart
during torture
and most of all
this
small bamboo pipe
not quite horizontal
that drips
every ten seconds
to a shallow bowl
I love this
being here
not a word
just the faint
fall of liquid
the boom of an iron buddhist bell
in the heart rapid
as ceremonial bamboo
*
A man buying wine
Rainier beer at the store
would he be satisfied with this?
Cold showers, electric skillet,
Red River
on tv
Oh he could be
(Do you want
to be happy and write?)
He happens to love the stark
luxury of this place
– no armchairs, a fridge of beer and mangoes
Precipitation.
To avoid a story The refusal to move
All our narratives of sleep
a mild rumble to those inland
Illicit pockets of
the kimono
Heart like a sleeve
*
The cabin
its tin roof
a wind run radio
catches the noise of the world.
He focuses on the gecko
almost transparent body
how he feels now
everything passing through him like light.
In certain mirrors
he cannot see himself at all.
He is joyous and breaking down.
The tug over the cliff.
What protects him
is the warmth in the sleeve
that is all, really
*
We go to the stark places of the earth
and find moral questions everywhere
Will John Wayne and Montgomery Clift
take their cattle to Missouri or Kansas?
Tonight I lean over the Pacific
and its blue wild silk
ringed by
Matt Christopher, Daniel Vasconcellos, Bill Ogden