they? Itâs not like they go and fight the biggest, toughest antelope they can find, just to show how brave they are.â
âAre there any big, tough antelopes?â said Billy.
âSome of them have got to be bigger and tougher than others.â
âI suppose so. Is that all youâve been doing? Thinking about lions?â
âSure.â
âHowâs your skin?â
âThe same.â
âLetâs have a look.â
âNo.â
âCome on, roll your sleeve up.â
âI donât want to.â
âWhat are you trying to hide?â
She wouldnât admit that she was trying to hide anything, so she pushed up her sleeve to reveal her right arm. At first all Billy could see was a red, inflamed rash.
âYouâve been playing with it.â
âIt helps pass the time.â
âYou werenât happy with the skull and crossbones?â
She shrugged. âChange is good,â she said.
When Billy looked more closely, he saw there was a pattern in among the disorder. By constantly pressing and drawing on her skin sheâd made a word appear, a livid, blotched, temporary tattoo that read DAD.
âThatâs a very weird thing to do,â Billy Moore said. âKind of sweet and touching, but also very weird.â
Without being asked, Carla pushed up the other sleeve and revealed on her left arm the word MOM.
âEven more touching,â he said, though he was touched in a very different way by this.
âDonât worry,â Carla said. âTheyâll fade eventually.â
Â
7. NIGHT UNDER GLASS
Rain stippled the roof of Wrobleskiâs domed conservatory, and inside it, a few scattered candles burned among the cacti, their flames reflected in the glass between the spines and paddles, reinforcing the wet darkness beyond. Shadows flicked over the relief map of Iwo Jima. Laurel was there, lolling, angled across the sofa, awake but drunk or stoned or exhausted, her head just a few inches away from the blue-black point of an agave leaf, her attention a million miles away. Wrobleski and the improbably named Genevieve sat in rattan chairs facing each other. He had poured two glasses of wine, and Genevieve was holding hers tightly in both hands, as if it might fly away.
âHow are you?â Wrobleski asked, sounding, or at least trying to sound, concerned.
Genevieve blinked a couple of times, looked not quite at him, and said, unconvincingly, âIâm good.â
âGreat,â he said. âIâm glad you could come.â
If she found this an odd way of putting itâand how could she not?âshe gave no indication. Perhaps she was no longer capable of being surprised.
âYouâre a train wreck, arenât you?â Wrobleski said.
She shrugged: it made no difference.
âI didnât ask for this date,â she said.
âNo, you didnât,â Wrobleski agreed. âWhatâs that thing youâve got wrapped around you, anyway?â
âItâs a curtain,â she said, and that was all the explanation she thought necessary, or was prepared to give.
âAnd youâre naked under there?â
âWeâre all naked under our clothes,â she said.
âVery profound,â Wrobleski said quietly. âLet me see.â
She hesitated only long enough to take a gulp from her drink, set it on the floor, and then she stood up slowly, regally, so that the velvet curtainâif thatâs what it really wasâremained behind her on the chair. She stood naked, about to place her dirty fingertips on the edge of the case containing the relief map, for support, but Wrobleski raised his hand to indicate she wasnât allowed to do that. She took a step back and looked sideways at her own bare, milky, phantom reflection in the glass of the conservatory, and then she faced Wrobleski with an unconcerned calmness.
âI need you to turn around,â he