you.â
âFor big trouble, it wouldâve been me. And heâd never mix pills with his bourbon,â Ash added. âHe had an ex who went that way, and it scared him. One or the other, not that he wouldnât go too far with either, but one at a time.
âIt doesnât hold. It doesnât,â he insisted. âYou said youâd seen them together over there, watched them.â
Uncomfortable with the truth of that, she shifted. âI did. Itâs a terrible habit. I need to stop.â
âYou saw them fight, but he never got physical with her.â
âNo . . . No, she was more physical. Threw things, mostly breakables. She threw her shoe at him once.â
âWhat did he do?â
âDucked.â Lila smiled a little, and he caught the tiny dimpleâa happy little winkâat the right corner of her mouth. âGood reflexes. My take was she yelledâand she shoved him once. He did a lot of fast talking, gestures, smooth. Thatâs why I called him Mr. Slick.â
The big, dark eyes widened in distress. âOh God, Iâm sorry.â
âNo, thatâs accurate. He was slick. He didnât get mad, threaten her, get violent? Shove her back?â
âNo. He said something that made her laugh. I could see, sense, she didnât want to, but she turned away, tossed her hair. And he came over and . . . they got physical together. People should close the curtains if they donât want an audience.â
âShe threw something at him, yelled at him, pushed him. And he talked his way out of it, talked his way into sex. Thatâs Oliver.â
He never responded with violence, Lila considered. Theyâd had some sort of argument or fight every day, some disagreement every day, but he never struck her. Never touched her unless it was a prelude to sex.
And yet. âBut the fact is she was pushed out the window, and he shot himself.â
âShe was pushed out the window, but he didnât push herâand he didnât shoot himself. So, someone else was in the apartment. Someone else was there,â he said again, âand killed both of them. The questions are who, and why.â
It sounded plausible when he said it, just that way. It seemed . . . logical, and the logic of it made her doubt. âBut isnât there another question? How?â
âYouâre right. Three questions. Answer one, maybe answer all.â
He kept his eyes on hers. He saw more than sympathy now. He saw the beginning of interest. âCan I see your apartment?â
âWhat?â
âThe cops arenât going to let me into Oliverâs place yet. I want to see it from the perspective you had that night. And you donât know me,â he said before she could speak. âHave you got somebody who could be there with you so you wouldnât be alone with me?â
âMaybe. I can see if I can work that out.â
âGreat. Let me give you my number. Work it out, call me. I just need to see . . . I need to be able to see.â
She took out her phone, keyed in the number he gave her. âI have to get back. Iâve been gone longer than I meant to be.â
âI appreciate you talking to me. Listening.â
âIâm sorry about what happened.â She slid out of the booth, touched a hand to his shoulder. âFor you, his mom, your family. I hope whatever the answers are, you get them. If I can work things out, Iâll call you.â
âThanks.â
She left him sitting in the narrow booth, staring into the coffee heâd never touched.
Three
S he called Julie, and dumped the entire story while she tended the plants, harvested tomatoes, entertained the cat.
Julieâs gasps, amazement and sympathy wouldâve been enough, but there was more.
âI heard about this when I was getting ready for work this morning, and it was the Big Talk at the gallery