only knew why such a thing had even occurred to her.
It was time she concentrated on Paolo, and the task she’d agreed to perform.
She let herself out of her bedroom, and started down the passage, trying to retrace her earlier steps. She had more time to observe her surroundings now, and she realised that the whole place was a series of courtyards, some completely enclosed, each of them marked by its own fountain, or piece of statuary.
And a good job too, because it’s like a labyrinth, she thought, hesitating, totally at a loss, as the passage she was negotiating crossed another. To her relief, the white-coated manservant who had been at the entrance when they’d arrived appeared from nowhere, and indicated politely that she should follow him.
The room she was shown to was enormous, its focal point a huge stone fireplace surmounted by a coat of arms. It was also empty, and Laura hesitated in the doorway, feeling dwarfed by her surroundings, and a little isolated too.
Obviously, she had left her room much too early. The Italians, she recalled, were apt to dine later than people did in England, but she decided to stay where she was rather than attempt that maze of passages again.
She saw with interest that, in here, some restoration work had been done to the frescoed walls, and wandered round, taking a closer, fascinated look and speculating on their age. There were various hunting scenes, and, more peacefully, an outdoor feast with music and dancing, and the style of dress suggested the sixteenth century.
At the far end of the room, large floor-length windows stood open, leading out to a terrace from which a flight of steps descended, leading down to further gardens below.
Once again, furniture in the salotto had been kept to a minimum—
a few massive sofas, their dimensions reduced by the proportions of the room, and a long, heavily carved sideboard were the main features. Also, more unusually, a grand piano.
It was open and, intrigued, Laura crossed to it and sat down on the stool, running her fingers gently over the keys, listening to its lovely, mellow sound.
She gave a small sigh. So many sad things had followed her father’s death, and the loss of her own much-loved piano was only one of them.
She tried a quiet chord or two, then, emboldened by the fact that she was still alone, launched herself into a modern lullaby that she had once studied as an exam piece.
Perhaps because it had always been a favourite of hers, she got through it without too much faltering, and sighed again as she played the final plangent notes, lost in her own nostalgic world.
She started violently as the music died to be replaced with the sound of someone clapping. She turned swiftly and apprehensively towards the doorway.
‘Bravo,’ said the Count Ramontella, and walked slowly across the room towards her.
CHAPTER FOUR
‘OH CHRISTMAS,’ Laura muttered under her breath, aware that she was blushing. ‘I’m so sorry, signore. I didn’t realise…’ She swallowed. ‘I had no right—no right at all…’
‘Nonsenso. That was charming.’ He came to lean against the corner of the piano, the dark eyes watching her coolly. He was totally transformed, she thought, having shaved, and combed his hair neatly back from his face. And he was wearing slim-fitting black trousers, which emphasised his long legs, offset by a snowy shirt, open at the throat, and topped by a crimson brocaded waistcoat, which he had chosen to leave unbuttoned.
He looked, Laura thought, swallowing again, casually magnificent.
‘At last my decision to keep it in tune is justified,’ he went on. ‘It has not been played, I believe, since my mother died.’
‘Oh, God, that makes everything worse.’ She shook her head wretchedly. ‘I must apologise again. This was—is—such an unforgivable intrusion.’
‘But I do not agree,’ he said. ‘I think it delightful. Won’t you play something else?’
‘Oh, no.’ She got up hastily, her