good arm. âIf youâll just come this way. All three of you. We have a special detector suite warmed up. Donât worry, Director Hollingshead, we know about your pacemaker as well, thereâs no danger.â
Chapel gave the director a glance, but Hollingshead simply favored him with a tiny sympathetic shake of his head. Together the three of them passed into a series of gray felt-Âcovered partition walls at one end of the security station. Chapel was certain he was being scanned as he walked through, but he had no idea what kind of detectors they used. At the far end they were given blue security badges embedded with tiny RFID chips embedded in the plastic. âDonât worry about getting lost,â the woman explained. âIf you end up someplace youâre not supposed to, those chips will sound an alarm and somebody will come to collect you. If you tamper with the chips, thatâll set off the alarm, too, so try not to touch them too much.â She gave them a big, warm smile. âWelcome to the Puzzle Palace!â
âThank you, my dear,â Hollingshead said. His genial professor act was back in place. âIf you could, ah, be so kind as to direct us . . .â
âNo need,â she said, bobbing her head. âJust go over there to elevator bank two.â
Chapel frowned. There really should have been someone to meet them and take them toâÂwell, wherever they were headed. When they arrived at the elevator bank, though, he saw why that wasnât necessary. With a pleasant little chime the nearest elevator opened its doors. Stepping inside, he saw that one of the floor buttons was already lit. Obviously the floor they wanted.
Wilkes leaned over toward Chapelâs ear. âYou know that feeling, when youâre being watched? You can feel it on the back of your neck?â
âYeah,â Chapel said.
âRight now I got that feeling on the front of my neck, too.â
Hollingshead cleared his throat. âBoys, Iâd appreciate it if you could try to remember that everything you say and do inside this building is being written down somewhere. Logged, as they say, for posterity.â
The elevator opened again on a broad lobby full of potted plants. No one was there to meet them, but at the far side of the lobby a green light appeared over a door. They headed through into a cavernous room Chapel thought looked like nothing so much as a deserted casino.
The lighting was subdued and mostly blue. The thick carpet under his feet was red with an abstract pattern of yellow lines. On the walls, massive display screens showed a rotating NSA logo. The ceiling was studded with black glass domes that he was certain hid cameras that tracked his every move. Instead of slot machines, however, the room contained dozens of gleaming workstations, each with a padded chair and a high-Âend laptop.
Two Âpeople waited for them at the far end of the huge room. One was a woman dressed in an air force uniform, while the other was a civilian in a sweater vest and khaki pants. At first Chapel thought the woman was very short, but as they approached he realized that it was just that although the civilian wasnât very tallâÂprobably six and a half feetâÂhe was so thin; Chapel found himself thinking this was the tallest little guy heâd ever met. His hair was short but somehow messy, which just added to the impression. He didnât make eye contact as the two groups came together.
The woman was perhaps sixty years old, with short, curly hair and warm eyes. She gave them a high-Âwattage smile and reached out with both hands for Hollingshead. âRupert!â she exclaimed. âHow lovely to see you again.â And then she actually pecked him on the cheek.
The director squirmed away as if a boa constrictor was trying to wrap itself around his throat. âGood morning, Charlotte,â he said. He turned and looked back at Chapel
Katie Mac, Kathryn McNeill Crane