face would have been more attractive had she not worn an expression of perpetual harassment.
“I wonder if you are troubled, monsieur,” she said softly.
I started, then forced myself to relax as I realised how clever the arrangement was. Doubtless she was meant to extract information from me in the guise of a simple conversation—information that would be conveyed to her sister for use in the séance. The opening gambit was such that could have been used upon anyone at all, and I marvelled at its simplicity.
“It is kind of you to notice,” I murmured back. “Money troubles. It is for this reason that I come to England.”
Her expression sharpened then, and I knew I had said the wrong thing. My entrée had doubtless been because I had neatly dropped the Empress’ name into conversation. The notion that I was rich and well-connected—and therefore could prove valuable to Madame Séraphine—was my only attractiveness. I hastened to reclaim it.
“Of course, I have expectations, excellent expectations,” I confessed. “But I am a little short at present. I would like to know how long I am expected to wait for my hopes to be realised.”
I tried to adopt a suitable expression, but I found it difficult. How did one manage to convey respectable avarice?
It must have worked, for her features relaxed again into faint worry, and she dropped a curtsey. “I understand, monsieur. May I take your hat? Please make yourself comfortable. The séance will begin in a moment.”
I handed over my hat and she gestured towards the door, leaving me to do the honours as she disappeared back down the darkened hall. I took a deep breath and steeled myself before opening the door. By the window stood an older gentleman of rigid posture and decidedly military bearing. His clothes were costly enough, but his shoulders sported a light dusting of white from his unwashed hair, and his chin was imperfectly shaven. He stared out the window at nothing, for the garden was shrouded in blackness, and I suspected he stood there as a stratagem to avoid conversation.
In contrast to him was a second gentleman, who occupied himself with the whisky and a gasogene. He was sleekly polished, with a veneer of good breeding that I suspected was precisely that—a veneer. His lips were thin and cruel and his brow high and sharply modeled. He put me in mind of a bird of prey, and he eyed me dismissively as I entered. The third gentleman looked a bit less certain of himself, a trifle rougher in his dress and decorum, and only he gave me a smile as I entered. He was dressed in an evening suit that I guessed to be second-hand, and his bright ginger hair had been slicked down with a heavy hand.
I nodded politely towards them all and made my way to the guestbook, where I took up the pen and signed with a flourish. Just as I finished the last scrolling vowel of Roselende, the door opened, and I gave a start. For one heart-stilling instant, I thought it was Plum, but instantly I saw my mistake. Like the newcomer, Plum was an elegant fellow, but I daresay if the pair of them had been placed side by side, few eyes would have fallen first upon my brother. They were of a size, both being tall and well-made, and both of them had green eyes and brown hair shading to the exact hue of polished chestnuts. But Plum lacked this fellow’s predatory grace, and there was something resolute about the set of this gentleman’s jaw, as if he seldom gave quarter or asked for it. His eyes flicked briefly around the room, lingering only a fraction longer upon me than the rest of the company. He inclined his head and advanced to where I stood next to the guestbook. I stepped back sharply and held out the pen.
“Thank you,” he murmured in a pleasant drawling baritone. I flicked my eyes to the page as he scrawled his signature with a flourish.
Sir Morgan Fielding . I had heard the name once or twice in society gossip, but I did not know him, and I relaxed a little as I realised
John Kessel, James Patrick Kelly