Wallis, my Wallis . . .â
He said it sweetly, caressingly. He said it like no one else had ever said it. And he never got mad at her. Never called her an American bitch. He got mad at the world, but never at her. Perhaps he was the only one, out of everybody in the whole damn universe (including Ernest who just disappeared into the London smog) who loved her? Because it was he, too, wasnât it, who gave her jewels? He told her some of them should have been Cookieâs but fuck that, he said, they were hers now and nobody was ever going to take them away.
And not only jewels. Yeah, itâs coming back now. It was he who used to buy her caviar â as much as she liked, whenever she wanted it. And boy, how sheâd loved that! She just craved it like sheâd never craved any other food. She knew it was expensive, she knew that ninety-nine per cent of people in the world had never tasted it, but too bad. She was one of the one per cent. Lucky her. Lucky Bessiewallis Warfield from Baltimore.
Lying very still on the floor, with the crowd still calling outside, Wallis thinks, with a smile, that she could use a spoonful of caviar now, its texture so soft and strange. It would be the one thing she could eat. And, still smiling, she decides that really she wouldnât mind if the little man came into the room and helped her back into the bed, so that she could be comfortable as she ate it. He had such gentle hands. With these hands, more gentle than a womanâs, he used to spoon caviar into her mouth. Spoon it into her mouth! What an adorable, dippy little rite! Who else ever did a thing like that? And his blue eyes used to smile into hers. Smile with such love and adoration. And then heâd ask, gently: âIs that lovely, darling? Is that delicious for my darling?â
Darling. My darling.
She said these words, too. Didnât she? Said them to him. Said them often, and with tenderness. Sure she did.
So OK, this must be it, the thing she had to dredge up from the darkness. When the Maître comes pestering her next time, this is what sheâll tell her: âIâve remembered him,â sheâll say. âHe was too pale to have a name. I always called him darling.â
And then the whole darn thing will be put to rest.
How It Stacks Up
She says to him: âOn your birthday, McCreedy, what dâyou want to do?â
She always calls him McCreedy. Youâd have thought by now, after being his wife for so long, sheâd have started to call him John, but she never does. He calls her Hilda; she calls him McCreedy, like he was a stranger, like he was a footballer sheâd seen on the telly.
âI donât know,â he says. âWhatâll we do, then?â
âForty-six,â she says. âYouâd better think of something.â
âGo out . . .?â he says.
âOut where?â
The pub, he thinks, but doesnât say. With the fellas from work. Get the Guinness down. Tell some old Dublin jokes. Laugh till you canât laugh any more.
âWhatâd the kids like?â he says.
She lights a ciggie. Her twentieth or thirtieth that Sunday, heâs stopped counting. Smoke pours out of her mouth, thick and blue. âNever mind the kids, McCreedy,â she says. âItâs your fuckinâ birthday.â
âGo back to Ireland,â he says. âThatâs what Iâd like. Go back there for good.â
She stubs out the ciggie. Sheâs always changing her mind about everything, minute to minute. âWhen youâve got a sensible answer,â she says, âlet me know what it is.â
And she leaves him, click-clack on her worn-out heels, pats her hair, opens the kitchen door and lets it slam behind her.
McCreedy stares at the ashtray. Time she was dead, he thinks. Time the smoking killed her.
He goes out into the garden where his nine-year-old daughter, Katy, is playing on her own. Katy
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