The Days of Abandonment by Elena Ferrante Read Free Book Online Page B

premonitions, the fantastic outlet of our desires) that they were there somewhere, in a doorway, around a corner, behind a window, and perhaps they had even seen me and retreated, like criminals happy with their crimes.
    But I got nowhere, I returned home around two, exhausted by disappointment. I parked in the street, I walked up toward the little square, I saw the silhouette of Carrano heading for the door. The instrument case sprouted from his curved shoulders like a stinger.
    I had an impulse to call to him, I could no longer bear the solitude, I needed to speak to someone, argue, shout. I hurried to catch up with him, but he had already disappeared behind the door. Even if I had run (and I didn’t have the courage, I was afraid that the asphalt would tear, the park, every tree trunk, even the black surface of the river), I wouldn’t have reached him before he got on the elevator. Still, I was about to when I saw that there was something on the ground, under the double corolla of a lamppost.
    I bent over, it was the plastic case of a driver’s license. I opened it, I saw the face of the musician, but much younger: Aldo Carrano; he was born in a town in the south; from the date of birth I saw that he was almost fifty-three, he would be in August. Now I had a plausible excuse to ring his bell.
    I put the document in my pocket, got on the elevator, pressed the button for the fourth floor.
    The elevator seemed slower than usual, its hum in the absolute silence accelerated the beating of my heart. But when it stopped on the fourth floor I was seized with panic; I didn’t hesitate an instant but pressed the button for five.
    Home, home immediately. What if the children had waked, if they had looked for me in the empty rooms? I would give Carrano his license the next day. Why knock at the door of a stranger at two in the morning?
    A tangle of resentments, the sense of revenge, the need to test the humiliated power of my body were burning up any residue of good sense.
    Yes, home.

10.
    T he next day, with some resistance, Carrano and his license slid into oblivion. The children had just gone to school when I realized that the house had been invaded by ants. It happened every year in this season, as soon as the warmth of summer arrived. In dense multitudes they advanced from the windows, from the balcony, they emerged from under the parquet, hurried to hide again, marched toward the kitchen, the sugar, the bread, the jam. Otto sniffed them, barked, unknowingly dragged them, buried in his coat, into every corner of the house.
    I quickly got a rag and washed every room thoroughly. I rubbed lemon peel in the places that seemed to me most at risk. Then I waited, nervously. As soon as the ants reappeared, I took precise note of the places where they gained access to the apartment, the entrances to the innumerable hiding places, the exits, and filled them with talcum powder. When I realized that neither the powder nor the lemon was effective, I decided to move on to an insecticide, although I worried about Otto, who licked anything and everything without distinguishing between what was safe and what was harmful.
    I rummaged around in the storage closet and found a can. I read the instructions carefully, shut Otto in the children’s room, and sprayed noxious liquid in every corner of the house. I did it uneasily, feeling that the spray can might well be a living extension of my organism, a nebulizer of the gall I felt in my body. Then I waited, trying not to pay attention to Otto’s whines as he scratched at the door. I went out onto the balcony in order not to breathe the poisoned air of the house.
    The balcony extended over the void like a diving board over a pool. The heat weighed on the motionless trees in the park, hugged the blue surface of the Po, the gray or blue boats of the oarsmen, and the arches of the Princess Isabella bridge. Down below I saw Carrano, who was walking along the path, bent over, evidently in search of