heâs thinking hard. Or nervous. He pops each finger, pinky to thumb, on his left hand, and then repeats the sequence on the right. Then he shakes his hands out like heâs loosening the joints back up.
âGross,â Rachel says, and Jonah looks up, startled, like he didnât realize what he was doing.
âSorry,â he says. âSoâshould we eat? We should eat. Letâs eat.â
They take inventory. Jonah has one more peanut butter and jelly sandwich. Hallelujah has an orange juice from breakfast and the twelve-pack of energy bars she brought for the week. Rachel has a banana, two energy bars, and a can of Diet Coke.
âWish I didnât eat two sandwiches earlier,â Jonah mutters, staring at their small pile of supplies.
âWell, you did skip breakfast,â Hallelujah answers.
He blinks at her, like heâs surprised she noticed, and Hallelujah feels her face grow hot. Sheâs glad itâs dark. Sheâs even more glad Jonah doesnât say anything else.
They split the sandwich three ways and each have an energy bar. And though theyâre all still hungry, they agree to put the rest of the food away. Just in case. If theyâre lucky, they wonât need it.
Jonah shows them how to rig their bags so theyâre tucked up in the nearest tree. Then they gather back around the fire. Itâs only eight thirty, but in the dark, in the cold, it feels later. With the woods looming on all sides, itâs like the fire is the only thing keeping the trees and the darkness from swallowing them whole.
8
T HEY SIT . H ALLELUJAH STARES INTO THE FIRE, WATCHING Jonahâs gently coaxed flames. And she looks at Jonahâs and Rachelâs faces. In the firelight and shadows, they look drawn. Gaunt. When Rachel catches Hallelujah looking, she smiles, and the effect is less reassuring than haunting. Hallelujah shivers.
âSo what do we do now?â Rachel asks.
âWell, unless yâall want to tell ghost stories,â Jonah says, âwe go to bed. The lightâll wake us up in the morning. And the earlier we get up and start walking, the earlier we get home. Right?â
âRight,â Hallelujah echoes. It does sound right, but it also sounds hollow, like something you say to keep up the troopsâ morale. Not necessarily a bad thing. She tries a joke of her own: âSo, who wants what side of the bed?â
Jonah lets out a âHehâ and Hallelujah feels a spark of pleasure: she made him laugh.
âCan I sleep in the middle?â Rachel asks. âIâm really cold. And IâI have to, umââ A deep breath. A quick murmur: âI have to go to the bathroom.â
Just like that, Hallelujah has to go too. Badly. Theyâve gone in the woods before. Earlier today, in fact. But that was daylight.
âIâll go with you,â she tells Rachel. âAnd then you can stay with me while Iââ
âGreat.â
They move away from the fire, out of the clearing. Each step feels colder and more vulnerable. No way to judge what theyâre about to step on. Just big tree-shapes in the darkness ahead and the occasional shiny leaf catching the moonlight.
Behind them, Jonah starts singing. To himself, while he tends the fire. Or to them, to remind them theyâre not alone. His voice is reassuring. Human, in this wildness.
Itâs also beautiful. Low, deep, like an old-fashioned country singer. Rich in tone. Twangy, but not too much. He sounds like a mix of Clint Black and Conway Twittyâand thinking that makes Hallelujah smile a little, because Jonahâs the reason she knows who those guys are in the first place.
Hearing him sing takes her right back to ninth-grade choir. The two of them sang a duet in the holiday concert that year. âO Holy Night.â Itâs one of her best memories.
Now heâs singing âRocky Top.â But not the twangy bluegrass version. Not the