The End of the Story by Clark Ashton Smith Read Free Book Online Page B

manifestable in devious modes, in diverse manners; there are other temptations than those of the world and the flesh, there are evils no less subtle than irresistible, there are hidden heresies, and necromancies other than those which sorcerers practice.”
    “With what, then, are these pages concerned, that such occult peril, such unholy power lurks within them?”
    “I forbid you to ask.” His tone was one of great rigor, with a finality that dissuaded me from further questioning.
    “For you, my son,” he went on, “the danger would be doubly great, because you are young, ardent, full of desires and curiosities. Believe me, it is better to forget that you have even seen this manuscript.” He closed the hidden drawer, and as he did so, the melancholy troubled look was replaced by his former benignity.
    “Now,” he said, as he turned to one of the bookshelves, “I will show you the copy of Ovid that was owned by the poet Petrarch.” He was again the mellow scholar, the kindly, jovial host, and it was evident that the mysterious manuscript was not to be referred to again. But his odd perturbation, the dark and awful hints he had let fall, the vague terrific terms of his proscription, had all served to awaken my wildest curiosity, and, though I felt the obsession to be unreasonable, I was quite unable to think of anything else for the rest of the evening. All manner of speculations, fantastic, absurd, outrageous, ludicrous, terrible, defiled through my brain as I duly admired the incunabula which Hilaire took down so tenderly from the shelves for my delectation.
    At last, toward midnight, he led me to my room—a room especially reserved for visitors, and with more of comfort, of actual luxury in its hangings, carpets and deeply quilted bed than was allowable in the cells of the monks or of the abbot himself. Even when Hilaire had withdrawn, and I had proved for my satisfaction the softness of the bed allotted me, my brain still whirled with questions concerning the forbidden manuscript. Though the storm had now ceased, it was long before I fell asleep; but slumber, when it finally came, was dreamless and profound.
    When I awoke, a river of sunshine clear as molten gold was pouring through my window. The storm had wholly vanished, and no lightest tatter of cloud was visible anywhere in the pale-blue October heavens. I ran to the window and peered out on a world of autumnal forest and fields all a-sparkle with the
    diamonds of rain. All was beautiful, all was idyllic to a degree that could be fully appreciated only by one who had lived for a long time, as I had, within the walls of a city, with towered buildings in lieu of trees and cobbled pavements where grass should be. But, charming as it was, the foreground held my gaze only for a few moments; then, beyond the tops of the trees, I saw a hill, not more than a mile distant, on whose summit there stood the ruins of some old château, the crumbling, broken-down condition of whose walls and towers was plainly visible. It drew my gaze irresistibly, with an overpowering sense of romantic attraction, which somehow seemed so natural, so inevitable, that I did not pause to analyze or wonder; and once having seen it, I could not take my eyes away, but lingered at the window for how long I knew not, scrutinizing as closely as I could the details of each time-shaken turret and bastion. Some undefinable fascination was inherent in the very form, the extent, the disposition of the pile—some fascination not dissimilar to that exerted by a strain of music, by a magical combination of words in poetry, by the features of a beloved face. Gazing, I lost myself in reveries that I could not recall afterward, but which left behind them the same tantalizing sense of innominable delight which forgotten nocturnal dreams may sometimes leave.
    I was recalled to the actualities of life by a gentle knock at my door, and realized that I had forgotten to dress myself. It was the abbot, who came