The Fata Morgana Books by Jonathan Littell, Charlotte Mandell Read Free Book Online Page A

for her by another, who was thus sharing her pleasure. But who was it? The fat one with the sideburns, more open, less hurried in his gestures than the young one? Or the one holding the camera, whose lens remained focused on the body of the woman and what was happening to her? But one couldn’t entirely rule out the possibility that the camera was held by another woman. Yet to these four actors had to be added a fifth, the main character of this little movie: the gaze. The entire spectacle had been staged with it in mind. There was of course the gaze of the man or woman holding the camera and studying the scene through his or her viewfinder, just as there was my own, contemplating it on my computer screen; but the gaze of the three naked figures on the green sheets was also put into play, redoubled not just by the expectation of the film to come, but also right then and there, by a large mirror that occupied the entire wall next to the bed, where they took turns observing themselves. At one point, a man—the fat one, or the one filming?—uttered a phrase in a language that I did not understand, Italian perhaps or some local dialect, and this phrase seemed to me to say: “Do you like what you’re seeing?” for the woman, still being fucked by the young one, was attentively watching herself being fucked and filmed in the big mirror. “Yes, yes,” she panted; and the camera was no longer filming the three intertwined bodies, but just their reflection in the mirror, where the woman, sprawled in her pleasure, her eyes like black marbles in her red mask, gazed at herself panting, her mouth open, her tongue out like that of a bull exhausted by the matador’s elusive red cloth, obscene and beautiful in her obscenity. She contemplated herself this way for a long time; then, slowly, she rolled her head over to the prick offered to her mouth. Afterwards, it went on, they moved her around, took turns penetrating her; and she, while giving in to their arms and bodies, to their greedy members, was also constantly observing herself in the mirror, as if to assure herself, Yes, that’s really me, that sublime whore there, with the beautiful hair and this body that’s so heavy and so female, being fucked by these two men, ah what happiness. The men too looked at themselves, but shiftily, snickering at times. It ended ritually, with their sperm on the woman’s mouth, her face, her mask, her breasts, a brief orgasm frightfully meager after her own, which overflowed this little twenty-minute-long movie.
* * *
These images, so clumsy and ordinary, filled me with joy: transported into rapture, as if by the sweetness of a ripe peach, I felt as if I were about to lift off from the ground. Outside, now, it was dark; the city’s lights shone in front of sky and sea confused into a single vast endless black surface. I watched the video several times; each time, it stuck in my gaze, nailed all my desires, usually so fluid, to a single blind point before which I found myself transfixed, breathless.
* * *
However, as I rather quickly discovered, this was just a poor sample of a considerable series, mass-produced by a production company a little savvier than the others; yet this knowledge changed nothing, absolutely nothing: these images remained what they were, frozen in the eternal repetition of their so violently human perfection. I no longer left my room, I hardly even moved from my mattress; I could just barely get up when I felt an urgent need. Eating, drinking, they no longer concerned me; of course I was ill, but I had no way of knowing that unless someone told me; but no one came, I stayed there alone in the midst of my funhouse mirrors, which altered not the image they reflected, but the very person who was mirrored. The same friend finally gave me, by telephone, some good advice: “You should go find a doctor.” I had two doctors—thin, stiff women in their long white smocks, one still young and quite attractive, the other much