him the prints. âYou still want me to see if I can retrieve any more fragments?â
âYes, but be discreet. If Manetti or Filippi come asking, you have nothing.â He knew that there was next to no chance that Filippi would trouble the boy. Manetti was his point of contact for the CSIs â if, that is, he took the trouble to pursue the murder, which so far seemed unlikely.
Scamarcio thanked him and left, avoiding the other offices along the corridor for fear of running into Manetti. He took the fire escape rather than the elevator, and exited onto a side street. His caution paid off: as he joined the main road, he saw the chief CSI and some colleagues returning from lunch, laughing â over some sick joke, no doubt. He waited until they had entered the building before he stepped out of the shadows. This didnât feel right, all this cloak-and-dagger stuff, hiding from his colleagues. Once again, he had the sense that it could not end well.
9
Luca Moltisanti opens the cabinet, takes out the trophy, handles it in the light, and puts it back. He picks up another and does the same. âYou did good,â he says.
âAnd so did you.â
âNot like you, Pino. No-oneâs done good like you.â
His brother is at the window, looking out at the rain-soaked pitch, the scar beneath his left eye livid in the light.
âItâs been a long time.â
âThirteen years.â
âThirteen years.â He savours the words, as though itâs a crowning achievement.
âWeâve missed you, Pino.â
He laughs tightly, looks away, wants to ring for Security, but knows he canât.
âThat why youâre here?â
âIn a way.â He takes a seat, and straightens a trouser leg. The suit is Armani; the shoes are brogues.
âWe think itâs time.â
âYOU FOUND WHAT ?â
âChild porn, sir.â
The chief fell silent for a moment, and then the tension of the last few days finally broke surface: âWhat sick-pig bastards are we dealing with? Why the hell did he bring me into this?
Scamarcio let him run with it for a while, figured he needed to vent. He had two young boys, after all. âI donât get it, what is he doing with child porn on his camera? You think he was into that? You think he took the photos?â
Scamarcio still knew so little about Arthur, but what he did know had led him to believe that it was unlikely. It didnât feel right; it didnât square with the picture that Ms Santa had painted. He had a sense that the photos served a secondary purpose â possibly financial, but probably not dealing. He didnât like him for a dealer.
âSo whatâs your take on this? Help me out here.â
He watched the thoughts forming, saw them take shape as he spoke. âHe had all this money, right, from this so-called patron he never talked about â¦â
âYes â¦â
âWell, what if that money wasnât given over so freely?â
The chief fell silent for a moment, thinking it through. âBlackmail, you mean?â
âHe had photos of someone important doing something appalling, and he made him pay for his silence. When he knew that his time was up, that he had come to find him, he couldnât let him have the last word. Thatâs why he tried to save the camera, and put it back on the shelf. He wanted us to find the photos.â
âThese photo fragments â do you see the face of the adult?â
âNo, just the kid. Anyway, I think it could be more than one adult. But theyâre men â definitely men.â
âGanza?â
âImpossible to tell.â
Garramone drew breath, and swore some more. âThis sick shit ⦠Who are these people? Do you think weâre dealing with politicos, VIPs?â He stopped to let the possibility sink in, to absorb it. âThe connection to Ganza, itâs all too close. Chances are that