went by a different route.â
âNo coaches today at all,â he says. âIt would be madness in these conditions.â
âYouâre sure my brotherâs horse is not stabled here? His name is Croxley. The horse, that is. A mahogany stallion.â
He glares at me above his eyeglasses, causing his chins to squash together impressively. âQuite sure, young lady. Now if youâll excuse me.â He goes back to his ledger, paying me no further mind.
I leave the room, more troubled than before. If George isnât in London, where can he be? What if he went out to paint and got lost in the woods? What if his horse slipped and ⦠I shake my head sharply. I wonât let myself get carried away. Heâs probably back at the house already, feet up, snug and warm. Heâs going to laugh at me when I get home, blue with cold. You should have left a note , Iâll tell him. That will only make him laugh more.
Iâm walking back to my carriage when a man beside a piebald stallion catches my eye. His shoulders are broad beneath a crisp black coat, and the wind has ruffled his dark hair into disarray. He says something I canât hear to the steward beside him, and they both laugh.
With a start of recognition, I realize that itâs William Simpsonâa man I hardly imagined capable of laughter. Beneath his open coat, he wears a dark suit with a buttoned waistcoat. When our eyes meet, I raise a gloved hand to greet him. His smile falters, and he gazes at me with surprise, and something else. Disappointment? Red color rushes into his pale cheeks as I walk determinedly toward him.
âLady Katherine,â he says, with a small bow. âWhat are you doing here?â
His tone is faintly accusing.
âMr. Simpson. How lovely to see you, too. I was looking for my brother.â
He lifts an eyebrow. âThat makes two of us.â
âI beg your pardon?â
Mr. Simpson clutches a document case in one hand, and gestures to the coaching house with the other. âWe were supposed to travel together to London,â he says.
â You were going with him?â
Mr. Simpson nods briskly. âHe wanted someone to find him an agent in London, to arrange the sale of his paintings.â
âGeorge never told me that,â I say, in a more accusing tone than I intended.
He bristles. âThat is between you and your brother,â he says.
âAnd why didnât you say anything last night?â I ask him playfully. âAs I recall, we were looking at a painting together at Walthingham Hall.â I want to make him smile again, the way he did for the steward.
âThere was no opportunity,â he says, and judging from his pained expression, I know he is remembering his hurried exit. This isnât going well at all. âPerhaps you think Iâm ill suited to the task?â he persists. âThough I may be just a lawyer, Iâm not entirely unschooled in the sale of art.â
âNo, of course not. That isnât what Iââ
âNo matter,â says Mr. Simpson. âThe coach was canceled in any case, and Lord Walthingham never arrived. When you see him next, do tell him that Iâll be waiting on him here until the roads clear.â
He nods to the steward, and walks back toward the coaching house.
*Â Â Â *Â Â Â *
The snow thickens as we make our way back through the countryside, and my unhappiness deepens with it. Itâs too cold to sit up beside John, and he answers my misery with a tactful silence.
My anger at George for being so inconsiderate mixes in my mind with frustration at Mr. Simpsonâs paranoid sensitivity. He must have a sense of humor, however deeply buried.
Itâs not long before weâre cresting the final ridge before the estateâs borders, and Walthinghamâs great facade becomes visible in the distance. Though itâs beautiful, its pale stone and glass illuminated in