The Girl in the Glass
figured for a while he needed a bodyguard. Hal, you know, the dog man, sent him to me. I was looking to get out of the strongman trade. You can only have so many cars run over your head before it gets tiresome . I couldn't bring myself to bend another iron bar with my teeth, but I didn't mind busting heads if I had to. That's easy, almost a pleasure sometimes. So me and Schell hooked up, became partners sort of and worked together ever since. How's that?" I looked down at my notebook and realized I hadn't written a word. Antony's recounting of Schell's life had been as complete as I could ask for, but nothing in it, although it was turbulent, led me to see why he'd envision a little girl on the pane of a glass door.
    "Thanks," I said.
    "What's your diagnosis?" he said.
    I shook my head, "I'm more confused than before," I told him.
    He smiled and lit another cigarette.
    "What about the butterflies?" I asked.
    "Who the fuck knows?" he said. "The guy likes butterflies."
    "There's got to be a reason," I said.
    "Yeah," said Antony, getting up. "'Cause he does. Come on, kid, I gotta get back and start dinner. I'm making stew tonight. No comments, please."
    "I'm glad to find out about him. I never knew that stuff, but I thought it would tell me something about why he's down now."
    "Look, Diego," he said, putting a hand on my shoulder as we walked along. "This ain't fucking geometry. It makes sense that when he goes loopy he sees a kid. He had no childhood. That's why he took you in. Why's a guy without a wife, a con man no less, take in a Mexican kid off the street? He's making up for what his old man didn't do. Makes sense, right?"
    "It does, actually," I said.
    "When you see things, when your eyes play tricks on you, what you see is what you want. Maybe Parks is a screwball, but in a way Schell wants his mother too. Or at least he wants his childhood, get it? He grew up hard and doesn't believe in anything but the con, or so he says. He's taken people six ways to Sunday for years. So he sees a little girl. What's a little girl?"
    "What?" I asked.
    "Innocent," he said.
    "Antony," I said, "you should move to Vienna and hang a shingle."
    "Hang my ass," he said.
    EXCEEDINGLY STRANGE
    T here's a certain species of parasitic wasp that attaches itself to the hind wings of female butterflies. When those females lay eggs, the minuscule moochers disengage and drop onto the nascent clutch to feed. The North Shore of Long Island, with its mansions and fabulously wealthy citizens, the Vanderbilts, the Coes, the Guggenheims, was like some beautiful butterfly, floating just above the hard scrabble life of most Americans after the crash in '29. We, of course, were the parasitic wasps, thriving upon the golden grief of our betters.
    As Schell had explained, "To our benefit, death isn't affected by an economic failure, and it never takes a holiday. In addition, a bereaved rich man is easier to con than a poor one in the same condition. A poor man, straightaway, understands death to be inevitable, but it takes a rich man some time to see that the end can't be circumvented with the application of enough collateral." I considered this equation as I watched, from the train window, the passing signs that held the names of those towns comprising that stronghold where the rich hid out against a spreading plague of poverty. There had even been news recently of foreclosures among some of the elite families, but there was still plenty of affluence to sustain three enterprising parasites the likes of Schell, Antony, and myself. It might have been true that Death never took a holiday, but we were. To his credit, Antony had been persistent with his suggestions of a week off in the city. Schell vacillated, unable to make a commitment. He was obviously weary from whatever emotional or intellectual issue he'd been obsessing over for the past few months. The death of Morty had hit him hard. Still, he'd continued to take calls from new marks for séances and used the

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