The Glass Books of the Dream Eaters by Gordon Dahlquist Read Free Book Online Page A

as it were, taken into her, and she licked them again as if some transformation had indeed been made. Her eyes glittered.

    She dropped the corset back into the cabinet and put on the robes, first the shorter one with sleeves, and then over it the larger, almost like a tunic, with the borders of green embroidery, which did in fact have several hooks to keep it closed. She looked at herself again in the mirror, and was happy to see that together the two layers of robe provided enough of a barrier for decency. Her arms and lower legs were still semi-visible through their single layers, but the rest of her body, though suggested, could not in any detail be seen. As a final precaution, because she had not fully lost her sense of place or perspective, Miss Temple fished in the pocket of her cloak for both her money and her all-weather pencil, which was still rather sharp. Then she knelt on alternating knees, stuffing the money into one boot and wedging the pencil into the other. She stood, took a couple of steps to test comfort, closed the cabinet, and then walked through the inner door.
    She was in a narrow unfinished hallway. She walked a few paces in gradually growing light and reached a turn where the floor slanted up toward the bright light’s source. She stepped into glaring light and raised a hand to block it, looking around her. It was a kind of sunken stage—above and around it rose a seating gallery pitched at a very steep angle, covering three sides of the room. The stage itself, what she took for playing space, was taken up with a large table, at the present moment flat but with a heavy apparatus underneath, which, she assumed from the large, notched curve of steel running the length of the table, could tilt the table to any number of angles, for better viewing from the gallery. Behind the table, on the one wall without seating, was a common, if enormously large, blackboard.
    It was an operating theatre. She looked to either side of the table and saw holes that dangled leather belts, to restrain limbs. She saw a metal drain on the floor. She smelled vinegar and lye, but beneath them some other odor that prickled the back of her throat. She looked up at the blackboard. This was for teaching, for study, but no mere man of science could afford such a home. Perhaps this Lord was their patient—but what patient would want an audience for his treatment? Or patron to some medical prodigy—or himself a practicing amateur—or an interested spectator? Her flesh was chilled. She swallowed, and noticed something written on the board—she hadn’t seen it from the entrance because of the light. The surrounding text had been erased—indeed, half of this word had been erased—but it was easy to see what it had been: sharp block printing, in chalk, the word “ORANGE.”
    Miss Temple was startled—indeed, she may have squeaked in surprise—by a throat being cleared on the far side of the stage, from shadow. There was an opposite rampway rising up from the floor she hadn’t seen, hidden by the table. A man stepped into view, wearing a black tailcoat, a black mask, and smoking a cigar. His beard was elegantly trimmed, and his face familiarly ruddy. It was one of her two dogs from the train, who had been sitting across from Roger. He looked at her body quite directly, and cleared his throat again.
    “Yes?” she asked.
    “I have been sent to collect you.”
    “I see.”
    “Yes.” He took a puff on the cigar but otherwise did not move.
    “I’m sure I’m sorry to make anyone wait.”
    “I didn’t mind. I like to look around.” He looked again, frankly examining her, and stepped fully up from the ramp into the theatre, raising his cigar hand above his eyes to block the light. He glanced over the gallery, to the table, and then to her again. “Quite a place.”
    Miss Temple adopted, without difficulty, a knowing condescension. “Why, have you never been here?”
    He studied her before answering, then decided not to