almost off by heart. With Sons and Lovers he was word-perfect.
By thus confining his reading to only the greatest masters of fiction he ensured that lesser
novelists would not exercise a malign influence on his own work.
Besides these few masterpieces he drew inspiration from The Moral Novel. It lay on his bedside
table and before turning out the light he would read a page or two and mull Miss Louth's
adjurations over in his mind. She was particularly keen on 'the placing of characters within an
emotional framework, a context as it were of mature and interrelated susceptibilities, which
corresponds to the reality of the experience of the novelist in his own time and thus enhances
the reality of his fictional creations'. Since Piper's own experience had been limited to
eighteen years of family life in Finchley, the death of his parents in a car crash, and ten years
of boarding-houses, he found it difficult in his work to provide a context of mature and
interrelated susceptibilities. But he did his best and subjected the unsatisfactory marriage of
the late Mr and Mrs Piper to the minutest examination in order to imbue them with the maturity
and insightfulness Miss Louth demanded. They emerged from this emotional exhumation with feelings
they had never felt and insights they had never had. In real life Mr Piper had been a competent
plumber. In Search he was an insightful one with tuberculosis and a great number of startlingly
ambiguous feelings towards his wife. Mrs Piper came out, if anything, rather worse. Modelled on
Frau Chauchat out of Isabel Archer she was given to philosophical disquisitions, to slamming
doors, to displaying bare shoulders and to private sexual feelings for her son and the man next
door which would have horrified her. For her husband she had only contempt mixed with disgust.
And finally there was Piper himself, a prodigy of fourteen burdened by a degree of self-knowledge
and an insight into his parents' true feelings for one another that would, had he in fact
possessed them, have made his presence in the house utterly unbearable. Fortunately for the
sanity of the late Mr and Mrs Piper and for the safety of Piper himself, he had at fourteen been
a singularly dull child and with none of the perceptions he subsequently claimed for himself.
What few feelings he had were concentrated on the person of his English mistress at school, a
Miss Pears, who, in an unguarded moment, had complimented little Peter on a short story he had in
fact copied almost verbatim from an old copy of Horizon he had found in a school cupboard. From
this early derived promise Piper had gained his literary ambitions and from the fatigue of a
tanker driver who, four years later, had fallen asleep at the wheel of his lorry, crossed a main
road at sixty miles an hour and obliterated Mr and Mrs Piper who were doing thirty on their way
to visit friends in Amersham, he had acquired the wherewithal to pursue them. At eighteen he had
inherited the house in Finchley, a substantial sum from the insurance company, and his parents'
savings. Piper had sold the house, had banked all his capital and, to provide himself with a
pecuniary motive to write, had lived off the capital ever since. After ten years and several
million unsold words he was practically penniless.
He was therefore delighted to receive a telegram from London which said URGENT SEE YOU RE SALE
OF NOVEL ETC ONE THOUSAND POUNDS ADVANCE PLEASE PHONE IMMEDIATELY FRENSIC.
Piper phoned immediately and caught the midday train in a state of wild anticipation. His
moment of recognition had arrived at last.
In London Frensic and Sonia were also into a state of anticipation, less wild and with sombre
overtones.
'What happens if he refuses?' asked Sonia as Frensic paced his office.
'God alone knows,' said Frensic. 'You heard what Cadwalladine said, "Do what you please but in
no way involve my client." So it's Piper