I canât tell right now.
Hank stops jabberingâfinallyâbut canât stop his eyes from swiveling down and up, sort of like heâs trying to follow a fly. âSo youâre going?â I nod and move toward my mother, who is watching but pretending not to. âIâll see you Thursday, then,â he says. I raise my eyebrows to ask why, but he does me the favor of rambling on. âAt Espresso Love.â
âThe soundtrack?â I cross my arms so Iâm sort of hugging myself. What is my prediction here? That we will meet at Espresso Love. Have coffee and never speak again? That I wonât even show up? That we will ride off into the proverbial smoggy sunset? That someone will see us together and assume that heâs just one of the many, that Iâm up to my usual tricks, whatever people think those are, and weâll lock lips and then nothing? I bite my top lip and listen to the blips and bleeps coming from my fatherâs room. You cannot predict anything.
He nods. âThe soundtrack session. Youâll meet me, okay?â He pauses. âHeyânow thatâs a great title, isnât it? For an album. The Soundtrack Sessions .â
It is a good title, but I canât tell him now. Now is me turning away from Hank, who is leaving. Now is me going over and hugging my dad and having him cryânot hard like the old man in the cafeteria; just a few quiet tears.
âIâm so relieved,â he says. My mother nods, patting his shoulder as he hugs me. The hospital gown is scratchy against my face.
What gets me is that they donât talk about the pattern. They donât acknowledge the fact that we were here four months ago with his potential appendicitis-or-is-it-liver-cancer scare. If I confronted my mother, she and I would end up like those explosions in the universe, only not as short-acting. My mother behaves as though holding a grudge is an Olympic sport. She still hasnât gotten over the kissing-in-the-basement incident. Only, her reaction is to not react. To avoid confrontation and discussion altogether.
My dad holds my hands in his, relieved. âWhat a day, huh?â
Wake up, people! I want to yell. Heâs fine! He will always be fine! Itâs something else thatâs the problem. But I canât scream this. And I canât even point to what exactly the other thing is that is the problem. I have my suspicions, though.
On the day of the soundtrack sessions Iâm in the lab. When Iâm there I feel the way some people must feel in church. The whole cavernous room is filled with all this mystery. Why are we here? How did we get here? Why does sunlight matter? What happens to water when it vaporizes? Itâs sacred somehow. The cool concrete walls tower over me, a safe and calm room with rows of soapstone tables, small sinks, and industrial shelves filled with Bunsen burners, textbooks, and model solar systems.
I take notes, jotting them in my looping scrawl onto the pages of my speckled green-and-white notebook, while studying the picture in front of me. Itâs an artistâs rendition of a black hole devouring a neutron star. Mr. Pitkin, a.k.a. resident science guru, has left a question for me in my notebook and I have to answer it, or at least try to. He wants me to combine a whole ton of data from published star census reports in the hopes that mine will fit in there somewhere. Thatâs where I get the academic credit. Stars and planets, those are my real interest. In his immaculate printing he has written: Condensation theory says that the planets developed through coagulation of dust grains in a disk of gas and dust. Do you have evidence to support this? This is some peopleâs idea of hell, spending a perfectly decent summer day answering, âAsteroids and comets all hold clues from the original solar system formation. A lot are traceable right to the origin of the solar system.â I pause. What
S. Ravynheart, S.A. Archer
Stephen G. Michaud, Roy Hazelwood