side effect of the special nanomachinery lining their bones and filling their bone marrow to prevent microgravity decay. Their eyes were as mirror-shining as the eyes of a cat, or filmy as the eyes of a sea beast, for growing additional microorganisms meant to shield their eyes from accidental radiation exposure turned out, unexpectedly, to be less cumbersome than polarized faceplates or dark goggles.
Their shipsuits were built along lines opposite to those of the bulky atmospheric armor of the First Age of Space: an only mildly biomodified human skin, when mummified by skintight garb, was discovered to have sufficient tenacity to resist vacuum. A second cushion of very light material was used to hold a layer of partial atmosphere next to the skinsuit, in order to help with pressure differentials the free motion of human joints necessitated. This outer silk was like a living layer of air pockets that expanded and contracted with each movement, granting the Hermeticists an eerie shimmering to play over them, like ripples seen on the scales of restless sharks.
There were silver fittings at waist and shoulders, and the heavy ring of a collar at the neck. All the men were bald as a monks, with skull-tight cowls that covered ears and cheeks and buckled beneath the jaw. Each wore his hood drawn up, but not sealed nor inflated. Goggles and mask hung below the throat like a second face.
There were only minor variations to the uniforms.
Melchor de Ulloa was a very handsome man, even in his lunar form. He was always wreathed in smiles of bewildered good cheer and in the scent of lavender. At his throat was an ornament like chicken’s claw within a circle, representing peace, a symbol called Nero’s Cross. He was the ship’s political officer.
Narcís D’Aragó, the cold-eyed master-at-arms, dangled a powered rapier from his baldric and an Aurum pistol in his thigh holster. This weapon fired a nanotechnological smart package designed, upon impact, to disassemble nonliving material such as armor or clothing, and nonimportant material such as flesh and bone into a puddle, and next to form electroneural connections to any nerve cells it encountered floating in that puddle, such as disembodied eyeballs, brain or spinal tissue, linking those cells to the nearest signal nexus for download.
Sarmento i Illa d’Or was a man of muscular bulk, broad shouldered as a bullock, light of step even under Earthly gravity, and in his gauntleted hand an emission wand called a soul goad, used to control thralls, parolees, or courtesans modified with skull implants via shocks of pleasure or agony that left no marks. Aboard ship he had been the quartermaster, and during the time of the World Concordat, the master of the feasts.
Jaume Coronimas, who had been an engineer’s mate aboard ship, and the broadcast power master during the Concordat, wore a cowl pieced by two small holes, and through these rose from his scalp two tendrils like whip-antennae made of yellow bioprosthetic metal, and these gold tendrils swayed softly toward the signal sources in the room, peering forth from the mouth of his hood like two inquisitive snakes. His face would have been thin and gray even had his skin not been adapted toward lunar conditions.
One man was not like the others. Father Reyes y Pastor, the expedition chaplain, was in red, and wore ermine and scarlet cardinal’s robes atop his black silk. Hanging down his back was a broad-brimmed red hat with elaborate tassels upon tassels, the galero . The hat was not on his head, for he wore the black hood of a scholar, proud of his academic achievements above his ecclesiastical station.
The coppery eyes of the Hermeticists glinted under their hoods like red coals in the mouths of dark, triangular furnaces.
The five drifted in soundless grace to their places at the round table. Places, not seats, for no chairs were needed, nor did human legs grow weary in a world of one-sixth weight.
There were more than six score
Starla Huchton, S. A. Huchton