knife. But I hate Effie Trinket’s comment so much I make a point of eating the rest of my meal with my fingers. Then I wipe my hands on the tablecloth. This makes her purse her lips tightly together.
Now that the meal’s over, I’m fighting to keep the food down. I can see Peeta’s looking a little green, too. Neither of our stomachs is used to such rich fare. But if I can hold down Greasy Sae’s concoction of mice meat, pig entrails, and tree bark — a winter specialty — I’m determined to hang on to this.
We go to another compartment to watch the recap of the reapings across Panem. They try to stagger them throughout the day so a person could conceivably watch the whole thing live, but only people in the Capitol could really do that, since none of them have to attend reapings themselves.
One by one, we see the other reapings, the names called, the volunteers stepping forward or, more often, not. We examine the faces of the kids who will be our competition. A few stand out in my mind. A monstrous boy who lunges forward to volunteer from District 2. A fox-faced girl with sleek red hair from District 5. A boy with a crippled foot from District 10. And most hauntingly, a twelve-year-old girl from District 11. She has dark brown skin and eyes, but other than that, she’s very like Prim in size and demeanor. Only when she mounts the stage and they ask for volunteers, all you can hear is the wind whistling through the decrepit buildings around her. There’s no one willing to take her place.
Last of all, they show District 12. Prim being called, me running forward to volunteer. You can’t miss the desperation in my voice as I shove Prim behind me, as if I’m afraid no one will hear and they’ll take Prim away. But, of course, they do hear. I see Gale pulling her off me and watch myself mount the stage. The commentators are not sure what to say about the crowd’s refusal to applaud. The silent salute. One says that District 12 has always been a bit backward but that local customs can be charming. As if on cue, Haymitch falls off the stage, and they groan comically. Peeta’s name is drawn, and he quietly takes his place. We shake hands. They cut to the anthem again, and the program ends.
Effie Trinket is disgruntled about the state her wig was in. “Your mentor has a lot to learn about presentation. A lot about televised behavior.”
Peeta unexpectedly laughs. “He was drunk,” says Peeta. “He’s drunk every year.”
“Every day,” I add. I can’t help smirking a little. Effie Trinket makes it sound like Haymitch just has somewhat rough manners that could be corrected with a few tips from her.
“Yes,” hisses Effie Trinket. “How odd you two find it amusing. You know your mentor is your lifeline to the world in these Games. The one who advises you, lines up your sponsors, and dictates the presentation of any gifts. Haymitch can well be the difference between your life and your death!”
Just then, Haymitch staggers into the compartment. “I miss supper?” he says in a slurred voice. Then he vomits all over the expensive carpet and falls in the mess.
“So laugh away!” says Effie Trinket. She hops in her pointy shoes around the pool of vomit and flees the room.
For a few moments, Peeta and I take in the scene of our mentor trying to rise out of the slippery vile stuff from his stomach. The reek of vomit and raw spirits almost brings my dinner up. We exchange a glance. Obviously Haymitch isn’t much, but Effie Trinket is right about one thing, once we’re in the arena he’s all we’ve got. As if by some unspoken agreement, Peeta and I each take one of Haymitch’s arms and help him to his feet.
“I tripped?” Haymitch asks. “Smells bad.” He wipes his hand on his nose, smearing his face with vomit.
“Let’s get you back to your room,” says Peeta. “Clean you up a bit.”
We half-lead half-carry Haymitch back to his compartment. Since we can’t exactly set him down on the