appreciated.â I said a few more words by way of introduction, reminding everyone of the qualities Winslow, Brown deemed desirable in its prospective employees, and then turned the meeting over to Cecelia to explain how everything would work over the next two days.
I ate my bagel and listened while she smoothly ran through the dayâs logistics. âWe need everyone back here at five oâclock for the roundup session. Please donât be lateâweâll try to finish up as quickly as we possibly can.â With that, she began handing out name tags and schedules.
No sooner had she finished than the first students began trickling in for their interviews, neatly turned out in aspiring Wall Street wear. Cece efficiently matched them up with the pairs of bankers to which theyâd been assigned and sent them off to the interview rooms. By ten past nine, she and I were the only ones left. I was relievedâScott Epson hadnât seemed to notice that I wouldnât be interviewing that morning. If he had, I was sure he would waste no time in letting Stan know in some backhanded fashion that I was shirking my duties. My absence that morning could be easily explained, but Iâd rather not have to explain it. The partners at Winslow, Brown had strange ideas regarding how one should prioritize oneâs various commitments. The memorial service for a client seemed to me to be an important event, but firm lore was sufficiently rife with stories of bankers being called back from hospital beds, bar mitzvahs, honeymoons and graveyards to make me hesitant to publicize the trade-off I was making.
I exchanged a few final words with Cece, thanking her and assuring her Iâd be back by noon. Moments later I was in a cab bound for Trinity Church in Boston.
Five
T he taxi turned from Eliot Street onto JFK Street, passing the police cars that still swarmed around the Weld Boathouse. We crossed the bridge over the river and made a left onto Storrow Drive.
âWhat happened back there?â I asked.
âDunno,â the driver said. âBut whatever it is, itâs sure screwing up traffic.â
Unenlightened, I pulled out my phone and dialed Emmaâs mobile number. Iâd talked to her the previous day, on my way to the airport in New York, but she was my best friend, and we usually talked daily, at least.
It took several rings before Emma picked up, and when she did, she sounded distracted. âHello?â
âItâs me.â
âOh, hi, Rach. Iâm glad you called. Did you get into town all right?â
âYes. Iâm in a cab on Storrow Drive right now, heading into Boston. Are you at Matthewâs?â
âYes. He just left for the clinic, and I was about to start on some sketches for a series Iâve been thinking about.â Now I understood the distracted tone. When Emma was starting a new series, her existence bifurcated into two worlds, one filled with ideas and shapes and color, and the other filled with reality. Needless to say, the former usually eclipsed the latter. Emma was a gifted artist, the daughter of a world-famous painter. After a difficult summer, during which sheâd narrowly escaped an unfortunate marriage via a set of even more unfortunate circumstances, she seemed to be back on an even keel, happily dating Matthew and climbing to new heights of artistic success.
âAnything interesting?â
âMaybe. Itâs too soon to tell.â I could almost feel the effort it took for her to pull her thoughts away from her work and back to our conversation. âBut did you say you were going into Boston? I thought you were supposed to be at Harvard, interviewing. Whatâs in Boston?â
âA memorial service. A client of mine passed away last week.â
âIt seems like a lot of people are dying lately,â she mused.
âLike who?â
âActually, not a lot, I guess. Itâs just that a patient of