corridor and spoke briefly to Miss Hedeman and Huntley Haskell. A group of apprentices was in Dottieâs dressing room. Elizabeth had not liked her performance. âYou canât play that girl with glamour,â she had whispered indignantly to Jane. âThe thing that gets her audienceâs sympathy is that sheâs pitiful and frustrated and doesnât know the score. Wouldnât you think that Kurtâor somebodyâwould have stopped her? Dottie, I mean?â
âItâs a tough job trying to direct and act in a play,â Jane whispered back. âAnyhow, I donât imagine La Dawneâs easy to direct.â
Elizabeth was rather disgusted at the overgracious way Dottie (and whatever was her real name? No one was christened Dorothy Dawne) was holding forth, and she was angry with the apprentices for fawning over her simply because she had made two or three grade-B movies. I donât suppose sheâs any older than Jane or I, she thought, and she certainly doesnât have as much talent. Either of us would have been better in that part.
She did not admit to herself that Dottieâs lack of talent was not the only thing that annoyed her.
In spite of his promise not to be long, it was after one on opening night when Kurt was ready to leave. Most of the apprentices and the company had already departed. They had gone down the boardwalk to Irvingâs, the nightclub that was very popular among the company and the more affluent apprentices.
Jane and John Peter had been there once that first week, and had said that once was enough, but this evening they tagged along with everybody else.
âAfter all, thereâs only one opening night to a season,â John Peter said. âComing, Liz?â
Elizabeth was glad she had a legitimate excuse. âNope. Canât. Mr. Canitz asked me to wait.â
âWhat for?â Jane asked curiously.
Elizabeth shrugged. âI donât know. Letters to type or something, I suppose.â
âAs long as he doesnât ask you over to his hotel to show you his etchings,â Jane said.
Elizabeth laughed. âDonât be a nut.â
She waited in the corridor outside Kurtâs dressing room. When his last visitor left he stuck his head out and saw her.
âThereâs my good little Liz,â he said, âthough not so little, are you, Liebchen? Come in and sit down.â
She went into the dressing room and watched while he finished removing his makeup, wiped it off with cotton saturated with witch hazel, and repeated the process three times.
âElizabeth,â he said, âhow old are you?â
âTwenty.â
âAnd this is your first experience in the professional theatre?â
âYes, Mr. Canitz.â
âAre you enjoying it?â
She nodded. âTerribly.â
âYes. You look happy.â He leaned back in his chair and sighed. âThis tiny little dressing room! Really, itâs more like
solitary confinement than a place for an actor to prepare for a role. Do you suffer from claustrophobia?â
She shook her head.
âWell, I do. I thought if that mob of well-meaning but stupid people didnât leave me alone Iâd scream or at least be stupidly rude. And the thought of going to Irvingâs, that mediocre little boîte de nuit âI should get claustrophobia all over again if I went there. I think that I shall telephone and say that I have a headache and have had to go home to bed, and will everybody please have a drinkâtwo drinksâon me. No. Better yet. I shall donate the entire party. That would more than make up for my absence, donât you think? That would make up for anybodyâs absence.â
âNo, theyâll be disappointed,â Elizabeth started, and meant it.
âRubbish,â Kurt said. âAnyhow, it is myself I am thinking of. I saw you passing by, looking so fresh and cool and clean as I was surrounded by
Roger Penrose, Brian Aldiss