olden days, one could only slap a man who wasn’t dressed in the knightly uniform of helmet and coat of mail—and I said to myself, “I’m done for. Avenging every little slight can all too swiftly lead to death. Here I am in a situation from which there is no escape, and all because my name is Íñigo Balboa Aguirre and I’m from Oñate, and more to the point, because I have just returned from Flanders and my master is Captain Alatriste, and I cannot consider any market too dear where one buys one’s honor with one’s life. Whether I like it or not, every path is blocked, and so when I grasp my dagger, I will have no option but to stab this fat pig in the belly—one thrust and it’s done—and then run like a deer and get myself a hiding place, and just hope that nobody finds me.” In short—as don Francisco de Quevedo would have said—there was, as usual, nothing for it but to fight. And so I held my breath and with the fatalistic resignation of the veteran—a recently acquired characteristic—prepared myself for what would follow. It seems, however, that God spends his spare moments protecting arrogant young men, because just then a bugle sounded, the palace gates were flung wide, and there came the sound of wheels and hooves on gravel. The sergeant, mindful of his duty, immediately forgot all about me and ran to marshal his men, and I stayed where I was, greatly relieved, and thinking that I’d had a very lucky escape.
Carriages were leaving the palace, and when I saw the insignia on the coach and saw the cavalry escort, I realized that it was our queen, accompanied by her ladies-in-waiting and her mistress of the robes. And my heart, which, during the episode with the sergeant, had remained steady and firm, suddenly bolted as if it had been given its head. Everything around me was spinning. The carriages rolled past to the sound of cheering and hallooing from the crowd, which rushed forward to greet them, and one pale royal hand, lovely and bejeweled, waved elegantly at one of the windows, in genteel response to this tribute from the people. I, though, had other interests, and in each of the carriages that passed, I eagerly sought the source of my unease. As I did so, I took off my cap and drew myself up, standing hatless and motionless before the fleeting vision of lace, satin, and furbelows, of female heads with coiffed and ringleted hair, of faces covered by fans, and of hands waving. In the last coach I glimpsed a fair head and a pair of blue eyes that saw me as they passed, recognizing me with startled intensity, before the vision moved off, and I was left there, overwhelmed, watching the hunched back of the footman at the rear of the carriage and the dust covering the rumps of the guards’ horses.
Then behind me I heard a whistle, one that I would have recognized in Hell itself. Ti-ri-tu, ta-ta . And when I turned, I found myself face to face with a ghost.
“You’ve grown, boy.”
Gualterio Malatesta was looking straight into my eyes, and I was sure that he could read my every thought. He was, as ever, all dressed in black, and wearing a black hat with a very broad brim and, hanging from his leather baldric, the usual threatening sword with the long cross-guard. He was still very tall and thin, with that face of his devastated by pockmarks and scars, which gave him such a cadaverous, tortured appearance that even the smile he directed at me, far from softening that appearance, only emphasized it.
“You’ve grown,” he said again. He seemed about to add “since the last time,” but he did not. The “last time” had been on the road to Toledo, when he drove me in a closed carriage to the dungeons of the Inquisition. For very different reasons, the memory of that adventure was as unpalatable to him as it was to me.
“And how is Captain Alatriste?”
I didn’t answer, I merely held his gaze, which was as dark and fixed as that of a snake. When he spoke the name of my master, the smile
Brittney Cohen-Schlesinger