a serious dealer, not just someone who could get a bit of marihuana for his friends. No one wanted anything to do with the kind of people he was bringing into their lives. Grace decided she’d had enough. The idyll was broken, real life had asserted itself. She’d discovered she didn’t want to be a singer after all. She didn’t have the gift for performance; she didn’t want to stand up there and put her emotions on display in her music. Then there was Newell, who was beginning to frighten her;he was possessive and had a short fuse. Already he’d started shouting at her. He hadn’t hit her but she began to realise that he could and one day he would.
The band split in a series of angry arguments; she packed her bags and left for Sydney. Newell followed her although not immediately. Someone had dobbed him in to the police; not her, probably another member of the band. Newell didn’t care; he thought she’d done it and he’d come after her.
In that space of time when Newell had beaten and raped her, Grace had thought that she would die. In the aftermath, she’d thought she might do so anyway, in her own way.
She had refused to go to the police. She was too frightened of Newell to testify against him in court. Nothing would shift her on this, and she hid the extent of her injuries from her family, knowing that if her father ever found out what had happened to her, nothing would have stopped him going after Newell. It was only years later that she’d told him and her brother everything that had happened to her. As well as being angry, they’d been hurt that she’d shut them out. It was the fear, she’d told them; she had never felt anything like that fear. Her father understood fear; he had fought in Vietnam. He spoke about it then to his daughter and son; the first time he’d spoken to anyone about it since he’d come home from the war. It became a point of understanding between them, something that allowed all three of them to reach some kind of resolution about the past.
In those bad times after Newell, Grace had drunk herself into insensibility, but even as an alcoholic she was unsuccessful. Her family had been there, they had helped her. Her brother had protected her, come and taken her away from parties, poured the booze down the sink, taken her to hospital when she fell and cut herself, helped her through detox. When she was in recovery, her father had taught her to shoot, telling her it would restore her hand–eye coordination. ‘You should only ever shoot at a target,’ he’d said. ‘Never at people.’ She never drank now but she was still a very good shot.
She had taken herself to university, studied criminology, and, before Orion, had worked briefly for the police. Unexpectedly metPaul Harrigan and found herself where she was now.
When Grace had first joined Orion five years ago, she had still been an angry young woman. If asked, she would have said her heart was dead and she was glad it was. At times her anger drove her to take risks, just as she had done at fourteen, speeding in cars badly controlled by adolescent drivers. Saying to death, come and get me if you can. These days she was careful. Now she asked herself: what happens to my daughter if something happens to me? This anxiety was one of the sharpest feelings she’d ever had. These days, she felt everything too much.
Quit, Harrigan had said to her more than once. If Orion’s not what you want any more, quit. If you want to, why not just walk away? Because she wasn’t a quitter. I don’t like being driven out, she thought, not by someone like Clive. If he thought she was an easy target, he would find out differently.
She had a name now for the woman she’d met in Villawood. It was a step towards sending her home to her relatives, possibly parents who could see her properly put to rest. Who could tell her child what had happened to his or her mother. Grace had more significant things than Clive to think about. However much
Josh Hoffner Brian Skoloff