used them last. As a girl I would sometimes go to his office at Dream Master after school and do my homework in the corner, happy to be near the swirl of conversation and the scents of metal and sawdust, customers coming in for nails or tools or chicken wire or a special order of tile. Sometimes they came with their secrets, too, stored in metal boxes from which the keys had been lost. My father’s expression was always intent and focused as he worked, his scalp visible beneath his cropped hair in the harsh light, his face breaking open in satisfaction, finally, as the tumblers clicked and fell into place. He charged five dollars for this service, ten dollars for house calls, and people paid happily, so eager that they almost never waited to open their boxes in private: Bonds or jewelry or wills; a few times, nothing at all.
My father had taught me what he knew, letting me sit in his chair and press my ear against the smooth wood or metal of a shuttered box on his desk, instructing me how to listen to the whisper of metal shifting, something like a wave, smooth and uninterrupted, until suddenly the frequency changed slightly, became weighted, suspenseful. What was or wasn’t inside never really mattered; it was the whisper of metal on metal that he wanted me to hear. The first time I succeeded, the box springing open beneath my touch, he’d let out a cheer of delight and lifted me up in a hug.
Beneath the lip of the window seat, almost hidden beneath layers of paint, but visible now that the cushions had been stripped away, was a little keyhole. I slid down and squatted on the floor amid the dust motes and the carcasses of flies, slipping a thin metal tool into the keyhole and pressing my ear against the wood. I closed my eyes, imagining my father on those long ago days, making the same motions I was making now, listening in this same intent way. When the last tumbler clicked into place I exhaled a breath I didn’t realize I’d been holding, feeling a relief so intense it was almost like joy, and pulled open the cupboard door.
The space seemed empty. In the soft glow of sunrise, I reached inside and felt along the floor, worrying about dead mice or, worse, finding nothing but grit. Then my wrist grazed a stack of papers and I pulled it out. Dust streaked my hands and permeated the papers. At first I felt a rush of excitement; surely, if someone had taken such pains to hide these, they must be important. Yet aside from the mild scholarly interest they immediately evoked—they were mostly flyers and little magazines that seemed to have been written by or for suffragettes—the pamphlets were disappointing, more like insulation than a true find. I closed the cupboard, the lock clicking back into place, and carried the keys and dusty papers back to my room. I lay down on the bed, meaning to read through them, but I got caught in the mysterious tides of jet lag, and fell asleep instead.
Chapter 3
MY MOTHER WAS ON THE PATIO WHEN I GOT UP, WEARING A dark purple jogging suit and drinking coffee; her silver hair was pulled back in a purple scrunchie. She had moved the vase of glads with their supple pink throats to a shady spot beside a low stone wall. The lake was as smooth as glass, silvery blue. It felt good to be outside, in so much space and fresh air after the density and bustle of Tokyo.
She pushed the list she was making out of the way and poured me some coffee from the thermal pot, the rich scent drifting over the table.
“Did you sleep okay?”
“Thanks.” I took the cup, sipped—it was strong, very hot. “That’s good. Thanks. I slept okay, I guess. I was up a lot—jet lag.”
“No wonder. Such a long trip.”
“Not so long. At least I didn’t have to walk.” She laughed, and I missed Yoshi. “What’s that—a grocery list?”
“It is indeed. You’re just in time for the solstice. It’s the day after tomorrow—everyone will want to see you.”
“Oh, the solstice party—that’s right.”