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detective,
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Historical,
Mystery & Detective,
Women Sleuths,
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Mystery & Detective - Women Sleuths,
Fiction - Mystery,
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Modern & contemporary fiction (post c 1945),
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Peabody,
Amelia (Fictitious character),
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Egypt - Fiction,
Amelia (Fictitious character) - Fiction
legends, fictions," I exclaimed. "They are no more factual than the tales of Arthur being carried off to the Isle of Avalon by the three queens, or Charlemagne sleeping under the mountain with his knights - "
'"Or the Homeric legends of Troy," said Forth.
'I swore at him - and at Heinreich Schliemann, whose discoveries had encouraged lunatics like my friend. Forth listened, grinning like an ape and fumbling in the pockets of his coat - for his pipe, as I thought. Instead he took out a small box and handed it to me, inviting me, with a sweeping gesture, to lift the lid. When I did so... Peabody, do you remember the Ferlini Collection in the Berlin Museum?'
Caught unawares by the question, I started to shake my head and then exclaimed, 'The jewellery brought back from Meroe by Ferlini half a century ago?'
'Quite.' Emerson whipped a pencil from his pocket and began to draw on the tablecloth. Gargery, who was familiar with this habit of Emerson's and with my reaction to it, deftly inserted a piece of paper under the pencil. Emerson finished his sketch and handed the paper to Gargery, who, after inspecting it closely, handed it round the table like a platter of vegetables. 'What I saw in the box was a gold armlet,' Emerson continued. 'The designs, consisting of uraei, diamond shapes, and lotus buds, were inlaid with red and blue enamel.'
Walter frowned at the paper. 'I have seen a lithograph of a piece of jewellery resembling this, Radcliffe.'
'In Lepsius's Denkmaler,' Emerson replied. 'Or perhaps the official guide to the Berlin Museum, 1894 edition. An armlet of the same type, with similar decoration, was found by Ferlini at Meroe. I saw the resemblance at once, and my first reaction was that Perth's armlet must also have come from Meroe. The natives have been plundering the pyramids ever since Ferlini's time, hoping to find another treasure trove. Yet the cursed thing was in virtually pristine condition - a few scratches here and there, a few dents - and the enamel was so fresh it might have been newly made. It had to be a modern forgery - but what forger would use gold of such purity it could be bent with one's fingers?
'I asked Forth where he had got it, and he proceeded to tell me a preposterous story about being offered the piece by a ragged native who offered to lead him to the source of such treasures. A source far in the western deserts, in a secret oasis, where there were huge buildings like the temples of Luxor and a strange race of magicians who wore golden ornaments and performed blood sacrifices to demonic gods...' Emerson shook his head. 'You can imagine how I jeered at this absurd story, all the more so when he told me that the unfortunate native had suffered from a fever to which he succumbed a few days later. 'My arguments had no effect on Forth; he was drinking quite heavily, and when I finally gave up my attempt to dissuade him from his lunatic plan I could see he was in no condition to be left alone. Late at night, in that district, he would have been robbed and beaten. So I offered to escort him to his hotel. He agreed, saying he was anxious to introduce me to his wife.
'She had waited up for him, but she had not anticipated he would bring a stranger with him; she was wrapped in some sort of fluffy white stuff, all trembling with lace and ruffles; part of her bridal getup, I suppose. An exquisite creature, looking no more than eighteen; great misty blue eyes, hair like a fall of spun gold, skin white as ivory. And cold. An ice maiden, with no more human warmth than a statue. They made a bizarre contrast, Forth with his ruddy beaming face and mane of black hair, his wife all white and silvery pale - Beauty and the Beast personified. I thought of that flowery-white skin of hers baked and scourged by blowing sand, of her gleaming hair dried by the sun - and by heaven, Peabody, I felt only the regret one might feel at seeing a work of art disfigured - no human pity at all. She would have received