composer, when she played at her finest, and when the mood would strike her. No other display of appreciation could express her pure intent. Miss DeWitt would meditatively nod and say in the firmest manner that when one enters into the presence of such music, one should be naked. And then she would touch the keys.
FATHER DAMIEN MODESTE
(THE FIRST)
When she didn’t show up for several days on end to play the organ, it was known that Miss DeWitt was suffering from nerves again. Incrementally, tortuously, unnecessarily, she was unblessed by tiny fragments of memory. Berndt materialized, cruelly, touch by touch, until he was all there but not there. A word and a look, a moment they had spent together, had apparently entered the heart of Agnes to be kept sealed and safe until, for no particular reason, she was to be tormented by an elusive recovery. She shut herself away. Some people grieve by holding fast to the love of others, some by rejecting all companionship. Some grieve with tears and some with dry howls. Some grieve like water, some burn. Some are fuel for the fire of sorrow and some are stone. Agnes was pure slate, dark and impenetrable.
Even books didn’t help—she began and discarded them until they threatened her couch in tottering stacks.
A priest en route to his Indian mission and taking wayfarer’s advantage of the local rectory’s hospitality was dispatched to the suffering widow with communion—of which she now partook as she lived no longer in a state of mortal sin. She heard his knock, but did not rise to meet him, only called out from her place on the couch that he should enter, and so he did. Father Damien Modeste was a small, prunish, inquisitive man of middle age who had been called by his God, from a comfortable parish near Chicago, to missionize Indians. Momentarily intrigued, she sat up, but then almost immediately she lost interest. He gave her communion. Took what food she’d set out. And then, as she was silent in her blanket, brooding, he remained a bit longer and attempted to raise her spirits by telling her of his zeal.
“I am going north,” he insisted, and went into detail regarding the harrowing details of his trip to the reservation. “Letters addressed to me by my fellow priest, Father Hugo, confirm the deep need for my service. Oh, there had been inroads. We are not the first generation of priests, but the devil . . .”
Here Father Damien paused, gauging Miss DeWitt’s despairing reserve, licked his thin lips, and went on, “The devil works with a shrewd persistence, Miss DeWitt, and is never known to give up a soul merely because it is a thing willed in heaven. Our labor is required here on earth, in the ordinary world. Evil, oh yes, evil—”
“What do you know of evil?” Miss DeWitt’s attention shifted suddenly from the acorn pattern of the wallpaper to the prematurely withered face of the missionary. He opened his mouth to go eagerly forward. But before he could speak, Miss DeWitt did.
“I’ve seen evil,” she told her confessor, firmly. “It has blue eyes and brown shoes. About size ten. The feet are narrow. The hands are square. The build is slight and I’d say the face, though not handsome, has an intriguing changeability about it. Though I am only now repossessing my memory of all the specifics, Father Modeste, I’ve seen the devil himself and he was disguised in a rumpled cassock.”
Father Modeste, already in possession of the story, nodded with barely hidden avidity.
“God dispensed great justice that day.”
“Selectively.”
Now Miss DeWitt glared tiredly at her piano.
“I couldn’t play this afternoon. Something haunts me, as though another terrible memory is ready to pour into my mind and only a sheer finger’s breadth of earth is holding it in place.”
“I suppose you are referring”—here Father Damien coughed delicately—“to your . . . ah . . . companion.”
“Yes,” Agnes admitted, unwillingly. She hated