to be discussing the flat. Matthew looked on, his face thoughtful, difficult to read. He looked â¦
He looked fucking gorgeous , in point of fact. I kept a grip on myself and made an inoffensive remark about this being the chill-out room.
âYeah,â said Linda. âItâs a nice little room, isnât it? We might make it into a study, we were thinking.â She looked past me, to where Donal had just come in. âHello, Mr Breen.â
Donal had a bottle in each hand. âHello, there, Missus. Top-up for anyone?â He poured wine into the proffered glasses.
Linda said, âThe landlord keeps calling me Mrs Breen.â She added airquotes. âI canât be doing with that at all. Donal thinks itâs sweet.â
âWell, I do,â said Donal, mock-aggrieved.
âItâs a load of shite,â said Linda. She took a long swallow of her wine. ââMrs Donal Breenâ â I mean, I love you and all, Donal, but for fuckâs sake. Iâm Linda Muldoon. Itâd be like putting on a new face, or something. I couldnât do it.â
âAh, youâd get used to it,â Donal said.
âWell, why donât you change yours then?â
âBecause itâs not â Iâd be â I donât know, I just wouldnât.â
âWell, donât expect me to, then.â She turned to me. âWould you?â
I hesitated. âIt hasnât arisen.â
âYeah,â Linda said, draining her glass and holding it out for Donal to fill up. âFirst catch your man.â
Talk turned to the Belfast gig. Mircea the Romanian bass said,âYes, but what is the gig exactly? I mean, what is the event?â
Joan explained, âItâs a European peace summit â theyâve invited the Turks and the Greeks and the Cypriots, and I think a big name may put in an appearance. Not Clinton or Blair, I canât remember who they said it was. Anyway, weâre singing at a sort of gala evening on the Saturday. Theyâve got three choirs lined up to do that Daintree piece â London, Belfast and us â voices from all three communities, peace and harmony and all that jazz.â Joan paused for a drink of beer and looked down for a moment before going on. âAnd by the way, to be blunt, they will probably run a background check on all of us. The audience is going to be full of government ministers and diplomats from all over the place.â
âHang on, though,â put in Val. âThat doesnât make any sense. Why would they waste their time investigating Carmina Urbana when they can just use someone like the National Chamber Choir â people who do this kind of gig all the time and already have whatever clearance they need?â
âThey could do that,â said Joan. She looked uncomfortable. âBut â¦â
âOh!â said Val. âItâs the Diane connection, isnât it?â
âI suspect it is,â said Joan. âWhatâs the Diane connection?â asked Mircea.
Joan lowered her voice and leaned forward, glancing from face to face. âItâs not something she advertises, particularly, but Diane is the daughter of Jennifer Mallon, if you remember.â
I didnât. Or, wait, a faint memory stirred. A name to bringout when you needed to end an argument â ironclad, irrefutable. Jennifer Mallon : I could hear it in Mumâs voice.
Beside me, Matthew spoke for the first time, âWasnât she ⦠shot by a British soldier some time in the early eighties?â Heâd spoken as softly as Joan had.
Joan nodded.
Val said, âIt was one of those totally awful, unnecessary tragedies â I remember hearing about it at school. She was driving her baby daughter to visit her dying husband in hospital â I know, you couldnât make it up â and she got caught in the wrong place at the wrong time. Young soldier panicked. Shot her