self-portraits. But I have to suppress this mad desire I have to add to my measuring thumb. Your face is not so bad, you know.â
âIâm glad.â
She turned to her salad. âYes, itâs an interesting face. Bony and craggy and all that. But the eyes are a bother.â
âOh?â
âAre you sure youâre not hungry?â
âPositive.â
âActually, theyâre smashing. But theyâre not very comfortable eyes.â She glanced up and looked at them professionally. âItâs difficult to say if theyâre green or gray. And even though you smile and laugh and all that, they never change. You know what I mean?â
âNo.â Of course he knew, but he liked having her talk about him.
âWell, most peopleâs eyes seem to be connected to their thoughts. Windows to the soul and all. But not yours. You canât read a thing by looking into them.â
âAnd thatâs bad?â
âNo. Just uncomfortable. If youâre not going to eat that salad, Iâll just keep it from going to waste.â
Over coffee, over cognac, over more coffee, they talked without design.
        Â
âDo you know what Iâve always wished?â
âNo. What?â
âIâve always wished I were a tall, terribly handsome black woman. With long legs and a chilling, disdainful sideways glance.â
He laughed. âWhy have you wished that?â
âOh, I donât know, really. But think of the clothes I could get away with wearing!â
        Â
â. . . oh, it was a typical middle-class Irish childhood, I suspect. Cooed over and spoiled as a baby; ignored as a child. Taught how to pass tests and how to stand with good posture. My father was a rabid Irish nationalist, but like most he had suspicions of inferiority. He sent me off to university in Londonâto get a
really good
education. And they were delighted when I came back with an English accent. I hated school as a girl. Sports and gymnastics particularly. I remember that we had a very, very modern physical culture teacher. A great bony woman, she was, with a prissy voice and a faint moustache. She tried to introduce the girls to the joys of eurythmics. You should have seen us! A gaggle of awkward girlsâsome with stick legs and knobby knees, others placid and fatâall trying to follow instructions âto writhe with an inner passion and reach up expressively for the Sun God and let him penetrate your body.â Weâd giggle about inner passions and penetrations, and the teacher would call us shallow, silly girls and dirty-minded. Then sheâd writhe for us to show how it should be done. And weâd giggle some more. Cigarette?â
âI donât smoke.â
        Â
She didnât seem to realize that she had stopped her story midway and had turned her thoughts inward.
He allowed the silence to run its course, and when she focused again on him with a slight start, he said, âSo you wonât be going back to Ireland?â
She butted her cigarette out deliberately. âNo. Not ever.â She lit another and stared at the gold lighter as though she were seeing it for the first time. âI should never have gone to the North. But I did and . . . too much happened there. Too much hatred. And death.â She sighed and shook her head briskly. âNo. Iâll never go back to Ireland.â
        Â
âSay, do you like Sterne?â she said.
âAh . . . funny you should mention him.â
âWhy?â
âI havenât the slightest idea who youâre talking about.â
âSterne,â she said, âthe writer.â
âOh. That Sterne.â
âIâve always had this deep intuition that I would get on well with any man who had a fondness for Sterne, Trollope, and