Since their real mother had been dead for years, in many ways she was. But Claire was also childlike in her gratitude for every little trinket the Hollands bestowed upon her. Lina could not bring herself to feel the same way.
She shifted in her simple black linen dress, with its boat neck and low, dowdy waist, taking in the luxury of Elizabeth’s bedroom: the robin’s-egg-blue wallpaper, the wide mahogany sleigh bed, the shiny silver bathtub with heated water piped through the walls, the perfume of peonies erupting from porcelain pitchers. Since Elizabeth had come out, she had begun to fancy herself an expert on the decoration of interiors, and if asked, she likely would have said that the Holland rooms were really rather modest. Well, compared with the ridiculous mansions of Fifth Avenue millionaires, perhaps they were. It seemed to Lina, sitting under the small Dutch painting of the quaint domestic scene in the big gold frame, that Elizabeth had become blind to her own extraordinary privilege.
But Lina did not hate Elizabeth. Could not hate her, no matter how much she distanced herself with elaborate clothing and fine manners. Elizabeth had always been Lina’s model for how to act and be, a glimmer of hope that she would not always live a life so simple and plain. And it was Elizabeth whohad convinced her, one night ten years ago, that they must go downstairs—all the way to the carriage house—to find out who was wailing in the middle of the night. Lina had been scared, but Elizabeth had insisted. That was when Lina had first come to love Will Keller, who was beautiful even then.
Will had been orphaned at the age of eight by one of those fires that blew through the tenements like they were kindling, trapping men and babies in dark closets. Will, who had been taken in by his father’s former employers with the understanding that he would serve, even at that tender age, had wailed when he dreamed of fires. Though it didn’t matter very long after that, because he stopped dreaming of those things when Lina and Elizabeth became his friends.
There was a difference between them even then, of course, but they were all children and as such equally banned from the Hollands’ grown-up world of dinner parties and card games. During the day they were all under the care of Lina’s mother, Marie Broud, who had been the Holland girls’ nurse, and she never made any distinction among her charges. She had often scolded Will and Elizabeth equally for their many schemes. Claire was too timid to join in these pranks, and Diana too young. But Lina had always hurried along with them, desperate to play a part. At night they would crawl about the darkened house, giggling at those great portraits of Elizabeth’s forefathers, sneaking sugar from the kitchen and silver buttons from the morning room. They stole old Mr. Holland’s playing cards with the pictures of ladies in undergarments on the backs and wrinkled their noses at them. They really were friends back then, before Elizabeth’s sense of self-importance swelled and she stopped having time for her old playmates.
Lina wasn’t sure when things changed. Maybe around the time that her mother died and Elizabeth began her lessons with Mrs. Bertrand, the finishing governess. Lina had been almost eleven then, awkward of body and eager to find fault in everything. She didn’t often like to think back on those years. Elizabeth, a little less than a year older than she, had become suddenly absorbed in her lessons in civility, in how to hold a teacup and when the proper time to return a call from a married female acquaintance was. Her every gesture seemed intended to convey to Lina that they were not of the same cloth, that they were no longer friends. And now Elizabeth was the sort of girl Claire read about in her magazines.
For years Lina had existed quietly, and practically alone, despite attending to Elizabeth all day and night and sharing sleeping quarters with her sister and
Alexandra Ivy, Laura Wright